Print Valuation: Appraisal and Auction
Engravings, lithographs, and numbered prints: The value of a print varies greatly depending on the artist, the condition of the print, and the rarity of the copy.
Below you’ll find all our valuation guides dedicated to prints—engravings, lithographs, etchings, and artist prints. Each guide details the price ranges observed at auction and the factors that determine a piece’s value before it is entrusted to our state-certified auctioneers.
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Rating and value of works, paintings by Félix-Joseph Barrias
Rating and value of works, paintings by Félix-Joseph Barrias
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Value and quotation of works, paintings by Jean-Gabriel Dome...
Jean-Gabriel Domerge, famous for his portraits of women in the 1920s, has a high and stable standing on the auction market. Estimated in 24 hours.
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Rating and value of René Lalique works, vases, lighting fixt...
René Lalique, a talented and versatile 20th-century artist, produced many works for his home and others outside it. Estimated in 24h.
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Rating and value of works, paintings, drawings by Paul Jouve
Paul Jouve, a twentieth-century animal painter, produced many paintings and drawings listed at auction, which can be very valuable.
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Value and quotation of works, paintings by Jules René Hervé
Jules René Hervé, a 20th-century painter of genre scenes, produced many canvases in demand on the auction market. Estimated in 24h.
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Value and quotation of works, paintings by Jules Adler
Jules Adler, a 20th-century naturalist painter, produced a number of drawings and oil paintings that are both valuable and stable.
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Value and quotation of works, paintings by Jean Fusaro
Jean Fusaro, a 20th-century painter, produced a number of important works that are appreciated and quoted on the art market. Estimated in 24h.
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Value and quotation of works, paintings by Ferdinand Roybet
Roybet is a 19th-century Caravaggio painter. His works are valuable and sought-after on the auction market. Estimated in 24h.
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Value and quotation of works, paintings by Eugène Leroy
Eugène Leroy, a 20th-century painter, produced a singular body of work appreciated and quoted on the auction market. Estimated in less than 24h.
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Value and quotation of works, paintings by Louis Buisseret
Louis Buisseret, a member of the Nervia group, is a relatively unknown but sought-after artist. The price of his works is stable. Estimate in less tha...
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Value and quotation of works, paintings by Gaston Chaissac
Gaston Chaissac, a painter belonging to the Art Brut movement, produced valuable works that are quoted at auction. Estimate in less than 24h.
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Value and quotation of works, paintings by Bengt Lindstrom
Bengt Lindstrom, a 20th-century Swedish painter, breathed new life into Nordic painting. His works are listed. Estimated in 24 hours.
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Understanding the Value of a Print
What Is a Market Value for a Print?
A print’s market value refers to the reference value assigned to it by the market at a given time, based on the artist, the printing technique used, the print’s number within the edition, the condition of the plate at the time of printing, the condition of the paper, and the completeness of the documentation.
Prints, which encompass all techniques of printing on paper from an engraved, lithographed, screen-printed, or photographed matrix, constitute a market of considerable diversity: from Kirchner’s Expressionist woodcuts to Warhol’s silkscreen prints, from Toulouse-Lautrec’s lithographs to Rembrandt’s etchings; valuation criteria vary considerably from one technique and period to another.
The print market shares a characteristic common to all markets for reproduced artworks: it pits multiple copies of the same work against one another, which introduces gradations in value based on the relative rarity of each copy within the same print run.
An artist’s proof, printed outside the commercial numbering sequence for the artist’s exclusive use, will systematically be worth more than number 50 of the same print run. A “pre-text” print, produced before any text was added to the margins, is the most valuable and sought-after item among antique prints.
Lithography, screen printing, etching, engraving: which techniques are on the market?
Each printing technique produces distinct visual effects that give it its own unique aesthetic, and pricing logic can sometimes differ significantly from one technique to another for the same artist.
Etching, an intaglio technique in which the grooves carved into metal are filled with ink for printing, offers linework of remarkable finesse and expressiveness, which Rembrandt brought to a state of absolute perfection.
Lithography, a planographic technique based on the repulsion between oil and water, was widely adopted by 19th-century artists for its flexibility and its ability to reproduce charcoal or watercolor effects with remarkable fidelity.
Silkscreen printing, a stencil technique that forces ink through a finely perforated screen, was elevated to the status of a major artistic medium by Andy Warhol and his Pop Art contemporaries; its effects of layered pure colors and repetitive patterns constitute an immediately recognizable aesthetic signature.
Finally, woodcut printing—a technique of raw expressiveness particularly well-suited to the dramatic effects sought by the German Expressionists—continues to hold a prominent place in specialized collections.
Technique | Characteristics | Leading Artists | Market Demand Level |
Etching and intaglio (engraved metal) | Fine, precise lines; velvety texture; limited edition due to wear on the plate | Rembrandt, Dürer, Goya, Picasso | Very high, international |
Lithography (planographic printing) | Flexible line work, wash effects, color possible | Toulouse-Lautrec, Daumier, Bonnard, Chagall | Very active, established market |
Screen printing (screen stencil) | Pure, bold colors; repetitive patterns | Warhol, Lichtenstein, Hockney | Very strong, high popular demand |
Woodcut (xylography) | Dramatic contrast, expressive brushwork | Kirchner, Nolde, Munch | Active, specialized collectors |
Aquatint and mezzotint | Gradations and atmospheric effects on metal | Goya, Pissarro, Mary Cassatt | Strong, collectors of antique prints |
The criteria that determine the value of a print
The market value of a print depends on a hierarchy of criteria, with the artist always ranking first. The difference in value between a lithograph by Toulouse-Lautrec and one by an anonymous artist from the same period—even if they are of comparable quality—is several orders of magnitude.
Within an artist’s body of work, the subject matter plays a decisive role: Lautrec’s Jane Avril poster will always be worth more than a less iconic composition by the same artist.
The state of the print—which refers to the version of the plate at the time of printing—is also crucial for antique prints: a “avant toute lettre” or “avant certaine lettre” print—produced before the plate had received its final inscriptions—is the most valuable and revealing document of the creative process.
Price ranges illustrate this breadth. A common print by a little-documented artist can range from 50 to 500 euros. A high-quality print by a recognized second-tier artist ranges from 500 to 8,000 euros. A signed lithograph by Toulouse-Lautrec or a numbered silkscreen print by Warhol sells for between 5,000 and 200,000 euros, depending on rarity and condition. Rembrandt’s etchings in their early states and the most exceptional works by the great masters can fetch several hundred thousand euros.
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Get a Free Appraisal of a Print
A certified appraisal by a licensed auctioneer in less than 24 hours
Accurately determining the condition of a print and assessing its value requires specialized training and a thorough knowledge of the catalogs of engravings by major artists.
Distinguishing a first edition from a later reprint, identifying an artist’s proof among common copies, detecting re-made paper or a signature added after the fact: these are all specific areas of expertise that Auctie’s auctioneer provides free of charge, with a certified response in less than 24 hours.
What You Need to Provide for an Online Appraisal
For a print, clear photographs of the front and back—including the margins with the numbering, signature, and any studio stamps or seals—are essential. The exact dimensions of the composition and the sheet must be specified.
The condition of the paper—including any creases, foxing, or tears—must be documented. Any certificate or reference in a catalogue raisonné will enhance the appraisal.
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Numbering, Condition, and Provenance: The Pillars of Valuation
Numbering, Condition of the Print, and Signature: Their Impact on Value
Element | Impact on Value |
Artist (renowned master vs. little-known artist) | Primary factor; can result in a value difference of 1 to 1,000 |
Numbering (artist’s proof vs. high number) | Significant premium for artist’s proofs and high numbers |
State of the print (early state vs. final state) | Major factor for antique prints; the earliest states are the most valuable |
Signature (handwritten vs. printed) | The artist’s handwritten signature significantly increases value |
Condition of the paper | Critical; foxing and water stains can cut the value in half or more |
Provenance and condition: their impact on valuation
A print’s provenance is an important factor in establishing trust, particularly when it can be traced through documented historical collections or past public auctions.
The collection stamp on the back of a print—referred to as a “lugt,” named after the reference catalog that lists them—can itself be a factor in its value when it corresponds to a particularly prestigious collection.
The condition of the paper is absolutely critical: prints with foxing, pinholes, or tears lose a significant portion of their value, even when their intrinsic quality is otherwise remarkable.
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Selling a Print at Auction with Auctie's
From the reserve price to the final bid: how the price is determined
Auction is the most effective method of selling high-quality prints, as it exposes the item to direct competition among collectors whose precise knowledge of the market allows them to immediately appreciate the rarity of an exceptional condition or a first edition.
The reserve price must be set by taking into account the specific rarity of the print and the results of the most recent sales of comparable examples.
Hôtel Drouot and Online Auctions: Reaching the Right Bidders
Auctie’s holds its auctions at Hôtel Drouot, which regularly features specialized auctions of antique and modern prints, attracting an audience of particularly knowledgeable collectors and dealers.
Online streaming makes it possible to reach collectors from around the world—an essential aspect of such a globalized market.
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Estate, Inheritance: Valuing an Inherited Print Collection
Estate Inventory and Distribution
Print collections are frequently found in estates, sometimes without the heirs knowing their exact value. Auctie’s works alongside notaries to compile rigorous inventories, with each print identified and appraised individually according to specialized market criteria.
Confidentiality and Anonymity
Auctie's handles every case with absolute discretion. The owner’s identity is never disclosed to third parties without their explicit consent, and the items can be offered for sale under complete anonymity.
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Glossary of Print Valuation and the Print Market
Term | Definition |
Valuation | The estimated market value of a print, determined based on auction results and demand. |
A work printed in multiple copies from an engraved, lithographed, or screen-printed plate. | |
Edition | The total number of copies produced of a single print; each copy is usually numbered. |
Artist’s proof | A copy printed outside the commercial numbering sequence, reserved for the artist; highly sought after by collectors. |
State | Version of the plate at the time of printing; the earliest states, before any modifications, are the most valuable. |
Avant la lettre | A print made before text was added to the margins; the most valuable item in the field of antique prints. |
Etching | An intaglio technique in which acid etches the metal through a varnish, creating the printing recesses. |
Lithography | A planographic printing technique based on the repulsion between oil and water. |
Screen printing | A stencil printing technique in which ink is forced through a perforated screen. |
Lugt | A reference directory (by Frits Lugt) cataloging the stamps and marks of private collections. |
Provenance | The history of ownership of a print. |
Auction | Awarding of the lot to the highest bidder at the conclusion of an auction. |
Reserve Price | The starting price set for the commencement of bidding on a lot. |
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Let Auctie's appraise your print
By its very definition, a print combines two contradictory aspirations that the greatest artists have masterfully reconciled: the democratic reproduction of the artwork, and the uniqueness conferred on each print by the variations inherent in the printing process and by the inevitable wear and tear of the printing plate.
Understanding this subtlety means understanding the print market and the intrinsic value of each print. Auctie’s puts this expertise at your service, free of charge and in complete confidence.
The appraisal is free, with no obligation, and you’ll receive a response within 24 hours.
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