Print Valuation: Appraisal and Auction
Engravings, lithographs, and numbered prints: The value of a print varies greatly depending on the artist, the condition of the print, and the rarity of the copy.
Below you’ll find all our valuation guides dedicated to prints—engravings, lithographs, etchings, and artist prints. Each guide details the price ranges observed at auction and the factors that determine a piece’s value before it is entrusted to our state-certified auctioneers.
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Rating and value of works, drawings, paintings by Léonard Fo...
Léonard Foujita is a twentieth-century Japanese artist who produced a huge number of works, much appreciated and sought-after at auction.
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Rating and value of works, drawings, paintings by Pinchus Kr...
Pinchus Kremegne is a Russian artist of the Paris School who produced drawings and oils on canvas that are valued at auction.
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Rating and value of works, drawings, paintings by Claire Ber...
Claire Bertrand is a twentieth-century expressionist artist who produced successful oil paintings at auction.
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Rating and value of works, drawings, paintings by Henry Emil...
HenriyEmile Vollet is a 20th-century Orientalist painter whose drawings and oil paintings are highly prized at auction.
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Rating and value of works, drawings, paintings by Chaïm Sout...
Chaïm Soutine is a Franco-Russian painter of the Paris School. He produced many sought-after and valuable oil paintings.
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Rating and value of works, drawings, paintings by Jean le Mo...
Jean Le Moal is a painter of the New School of Paris who has produced works that are sought-after on the auction market. They have a high
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Rating and value of works, drawings, paintings by Maurice Es...
Maurice Estève was a painter and draughtsman of the New Paris School who produced many valuable drawings and lithographs.
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Rating and value of works, drawings, paintings by Michel Kik...
Michel Kikoine is an expressionist painter of the Paris School who produced sought-after and valuable drawings and oils on canvas.
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Rating and value of works, drawings, paintings by Marie Vass...
Marie Vassilief is a 20th-century Cubist artist who produced drawings, collages and oils on canvas that are valued at auction.
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Rating and value of works, drawings, paintings by Charles An...
Charles Angrand was a neo-realist and symbolist painter of the 19th century who produced drawings and paintings with a high market value.
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Rating and value of works, collages, paintings by Alfred Ret...
Alfred Reth was an Austro-Hungarian painter of the École de Paris. His collages, paintings and drawings are sought-after at auction.
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Rating and value of works, drawings and sculptures by Jules...
Jules Pascin was a Bulgarian artist, painter and sculptor of the 20th century, who produced drawings, paintings and sculptures listed at auction.
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Understanding the Value of a Print
What Is a Market Value for a Print?
A print’s market value refers to the reference value assigned to it by the market at a given time, based on the artist, the printing technique used, the print’s number within the edition, the condition of the plate at the time of printing, the condition of the paper, and the completeness of the documentation.
Prints, which encompass all techniques of printing on paper from an engraved, lithographed, screen-printed, or photographed matrix, constitute a market of considerable diversity: from Kirchner’s Expressionist woodcuts to Warhol’s silkscreen prints, from Toulouse-Lautrec’s lithographs to Rembrandt’s etchings; valuation criteria vary considerably from one technique and period to another.
The print market shares a characteristic common to all markets for reproduced artworks: it pits multiple copies of the same work against one another, which introduces gradations in value based on the relative rarity of each copy within the same print run.
An artist’s proof, printed outside the commercial numbering sequence for the artist’s exclusive use, will systematically be worth more than number 50 of the same print run. A “pre-text” print, produced before any text was added to the margins, is the most valuable and sought-after item among antique prints.
Lithography, screen printing, etching, engraving: which techniques are on the market?
Each printing technique produces distinct visual effects that give it its own unique aesthetic, and pricing logic can sometimes differ significantly from one technique to another for the same artist.
Etching, an intaglio technique in which the grooves carved into metal are filled with ink for printing, offers linework of remarkable finesse and expressiveness, which Rembrandt brought to a state of absolute perfection.
Lithography, a planographic technique based on the repulsion between oil and water, was widely adopted by 19th-century artists for its flexibility and its ability to reproduce charcoal or watercolor effects with remarkable fidelity.
Silkscreen printing, a stencil technique that forces ink through a finely perforated screen, was elevated to the status of a major artistic medium by Andy Warhol and his Pop Art contemporaries; its effects of layered pure colors and repetitive patterns constitute an immediately recognizable aesthetic signature.
Finally, woodcut printing—a technique of raw expressiveness particularly well-suited to the dramatic effects sought by the German Expressionists—continues to hold a prominent place in specialized collections.
Technique | Characteristics | Leading Artists | Market Demand Level |
Etching and intaglio (engraved metal) | Fine, precise lines; velvety texture; limited edition due to wear on the plate | Rembrandt, Dürer, Goya, Picasso | Very high, international |
Lithography (planographic printing) | Flexible line work, wash effects, color possible | Toulouse-Lautrec, Daumier, Bonnard, Chagall | Very active, established market |
Screen printing (screen stencil) | Pure, bold colors; repetitive patterns | Warhol, Lichtenstein, Hockney | Very strong, high popular demand |
Woodcut (xylography) | Dramatic contrast, expressive brushwork | Kirchner, Nolde, Munch | Active, specialized collectors |
Aquatint and mezzotint | Gradations and atmospheric effects on metal | Goya, Pissarro, Mary Cassatt | Strong, collectors of antique prints |
The criteria that determine the value of a print
The market value of a print depends on a hierarchy of criteria, with the artist always ranking first. The difference in value between a lithograph by Toulouse-Lautrec and one by an anonymous artist from the same period—even if they are of comparable quality—is several orders of magnitude.
Within an artist’s body of work, the subject matter plays a decisive role: Lautrec’s Jane Avril poster will always be worth more than a less iconic composition by the same artist.
The state of the print—which refers to the version of the plate at the time of printing—is also crucial for antique prints: a “avant toute lettre” or “avant certaine lettre” print—produced before the plate had received its final inscriptions—is the most valuable and revealing document of the creative process.
Price ranges illustrate this breadth. A common print by a little-documented artist can range from 50 to 500 euros. A high-quality print by a recognized second-tier artist ranges from 500 to 8,000 euros. A signed lithograph by Toulouse-Lautrec or a numbered silkscreen print by Warhol sells for between 5,000 and 200,000 euros, depending on rarity and condition. Rembrandt’s etchings in their early states and the most exceptional works by the great masters can fetch several hundred thousand euros.
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Get a Free Appraisal of a Print
A certified appraisal by a licensed auctioneer in less than 24 hours
Accurately determining the condition of a print and assessing its value requires specialized training and a thorough knowledge of the catalogs of engravings by major artists.
Distinguishing a first edition from a later reprint, identifying an artist’s proof among common copies, detecting re-made paper or a signature added after the fact: these are all specific areas of expertise that Auctie’s auctioneer provides free of charge, with a certified response in less than 24 hours.
What You Need to Provide for an Online Appraisal
For a print, clear photographs of the front and back—including the margins with the numbering, signature, and any studio stamps or seals—are essential. The exact dimensions of the composition and the sheet must be specified.
The condition of the paper—including any creases, foxing, or tears—must be documented. Any certificate or reference in a catalogue raisonné will enhance the appraisal.
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Numbering, Condition, and Provenance: The Pillars of Valuation
Numbering, Condition of the Print, and Signature: Their Impact on Value
Element | Impact on Value |
Artist (renowned master vs. little-known artist) | Primary factor; can result in a value difference of 1 to 1,000 |
Numbering (artist’s proof vs. high number) | Significant premium for artist’s proofs and high numbers |
State of the print (early state vs. final state) | Major factor for antique prints; the earliest states are the most valuable |
Signature (handwritten vs. printed) | The artist’s handwritten signature significantly increases value |
Condition of the paper | Critical; foxing and water stains can cut the value in half or more |
Provenance and condition: their impact on valuation
A print’s provenance is an important factor in establishing trust, particularly when it can be traced through documented historical collections or past public auctions.
The collection stamp on the back of a print—referred to as a “lugt,” named after the reference catalog that lists them—can itself be a factor in its value when it corresponds to a particularly prestigious collection.
The condition of the paper is absolutely critical: prints with foxing, pinholes, or tears lose a significant portion of their value, even when their intrinsic quality is otherwise remarkable.
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Selling a Print at Auction with Auctie's
From the reserve price to the final bid: how the price is determined
Auction is the most effective method of selling high-quality prints, as it exposes the item to direct competition among collectors whose precise knowledge of the market allows them to immediately appreciate the rarity of an exceptional condition or a first edition.
The reserve price must be set by taking into account the specific rarity of the print and the results of the most recent sales of comparable examples.
Hôtel Drouot and Online Auctions: Reaching the Right Bidders
Auctie’s holds its auctions at Hôtel Drouot, which regularly features specialized auctions of antique and modern prints, attracting an audience of particularly knowledgeable collectors and dealers.
Online streaming makes it possible to reach collectors from around the world—an essential aspect of such a globalized market.
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Estate, Inheritance: Valuing an Inherited Print Collection
Estate Inventory and Distribution
Print collections are frequently found in estates, sometimes without the heirs knowing their exact value. Auctie’s works alongside notaries to compile rigorous inventories, with each print identified and appraised individually according to specialized market criteria.
Confidentiality and Anonymity
Auctie's handles every case with absolute discretion. The owner’s identity is never disclosed to third parties without their explicit consent, and the items can be offered for sale under complete anonymity.
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Glossary of Print Valuation and the Print Market
Term | Definition |
Valuation | The estimated market value of a print, determined based on auction results and demand. |
A work printed in multiple copies from an engraved, lithographed, or screen-printed plate. | |
Edition | The total number of copies produced of a single print; each copy is usually numbered. |
Artist’s proof | A copy printed outside the commercial numbering sequence, reserved for the artist; highly sought after by collectors. |
State | Version of the plate at the time of printing; the earliest states, before any modifications, are the most valuable. |
Avant la lettre | A print made before text was added to the margins; the most valuable item in the field of antique prints. |
Etching | An intaglio technique in which acid etches the metal through a varnish, creating the printing recesses. |
Lithography | A planographic printing technique based on the repulsion between oil and water. |
Screen printing | A stencil printing technique in which ink is forced through a perforated screen. |
Lugt | A reference directory (by Frits Lugt) cataloging the stamps and marks of private collections. |
Provenance | The history of ownership of a print. |
Auction | Awarding of the lot to the highest bidder at the conclusion of an auction. |
Reserve Price | The starting price set for the commencement of bidding on a lot. |
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Let Auctie's appraise your print
By its very definition, a print combines two contradictory aspirations that the greatest artists have masterfully reconciled: the democratic reproduction of the artwork, and the uniqueness conferred on each print by the variations inherent in the printing process and by the inevitable wear and tear of the printing plate.
Understanding this subtlety means understanding the print market and the intrinsic value of each print. Auctie’s puts this expertise at your service, free of charge and in complete confidence.
The appraisal is free, with no obligation, and you’ll receive a response within 24 hours.
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