Rating and value of paintings and drawings by Charles Théodore Frère

If you own a work by or after Charles Théodore Frère, and would like to know its value, our state-approved experts and auctioneers will offer you their appraisal services.

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Rating and value of the artist Charles Théodore Frère     

Charles Théodore Frère leaves behind a body of work that is both realistic and orientalist. From then on, prices for his works rose under the auctioneers' gavels. His paintings are highly prized, especially by French buyers. The price at which they sell on the art market ranges from €40 to €153,700, a very substantial range but one that speaks volumes about the value that can be attributed to the works of Charles Théodore Frère. In 2018, his oil on canvas Grande caravane de la Mecque sold for 150,000€ while it was estimated at between 150,000 and 200,000€. His quotation is stable and his works have strong upside potential.

Order of value from a single work to the most prestigious

Style and technique of artist Charles Théodore Frère       

Charles Théodore Frère was a painter who belonged both to the realist movement and produced orientalist works (characterized by inspiration from the Orient or the Far East, for him it was mainly Algeria), drawing much inspiration from Delacroix. He produced drawings, oils on canvas, and a few prints that circulate very little on the art market.

Understanding Orientalism in painting

Orientalism in painting is an artistic genre that developed in Europe, mainly in the 19th century, in response to the infatuation with the cultures and landscapes of the Middle East, North Africa, and Asia.

This movement is intimately linked to European colonial expansion and the fascination that artists, writers, and intellectuals of the time harbored for distant and exotic lands.

Orientalism in painting is characterized by an idealized, sometimes fantasized, representation of the Orient, resulting in works where themes, colors, and compositions seek to capture a romanticized vision of these regions.

Orientalist artists drew their inspiration from travelogues, literary texts, and tales of crusades that fed the collective European imagination.

Recurring themes included harem scenes, markets, desert landscapes, religious rituals, and portraits of men and women dressed in traditional costumes.

These representations, often made without direct contact with the cultures depicted, contributed to the creation of a stereotyped and homogenized image of the East. This has led to works that, while technically remarkable, convey a Eurocentric and sometimes reductive vision of Eastern societies.

The best-known artists of the Orientalist movement include Jean-Léon Gérôme, Eugène Delacroix, and John Frederick Lewis. Gérôme, for example, was famous for his meticulous, detailed depictions of oriental scenes, which often combined historical and contemporary elements.

His works, such as The Slave Market or The Moorish Bath, are emblematic of orientalism in painting and perfectly illustrate the European obsession with exotic themes.

Eugène Delacroix, meanwhile, was deeply influenced by his trip to Morocco in 1832, which is reflected in works such as Femmes d'Alger dans leur appartement, where he blends bright colors and dynamic composition to evoke the daily life of women in a harem.

Orientalism in painting is not just a celebration of the exotic; it was also a reflection of power relations between the West and the East.

Orientalist representations were often marked by an implicit attitude of superiority on the part of the West, which saw itself as the center of civilization in the face of an East perceived as frozen in time, mysterious and sometimes barbaric. This vision helped justify, in the eyes of many Europeans, colonial domination of these regions.

However, it's important to note that Orientalism in painting was not always uniformly criticized. Some works have been hailed for their aesthetic beauty and technical virtuosity.

In addition, some artists have attempted to represent Oriental cultures with a certain respect and genuine curiosity, even if their works remain marked by the prejudices of their time.

Today, Orientalism is subject to critical reappraisal, particularly through the lens of postcolonial studies. Orientalist works are examined not only for their artistic merit, but also for the way in which they have helped to shape and perpetuate stereotypes about the Orient.

This critique invites a broader reflection on the role of art in the construction of otherness, and on the power dynamics underlying cultural representations.

The painting Arab Wedding in Cairo commented

The success of Orientalist paintings on the auction market

On the art market, Orientalist paintings are enjoying renewed interest from collectors and great success generally among bidders. Artists such as Max Moreau, Émile Deckers, or Alexandre Roubtzoff are experiencing an increase in their quotations.

Beyond the historical appeal that these works may represent, their success can also be explained by technical factors. Indeed, if we consider that Orientalism began at the end of the 18th century, it reached its apogee during the Empire and after.

This attraction for the Orient was reinforced by historical events such as the Egyptian campaign, and the imperial propaganda that followed. Many artists, such as Charles Théodore Frère, sought new inspiration beyond Europe and the Western context.

Once this framework had been established, artists were able to showcase through Orientalism the painting techniques they had mastered through academic canons, working to the maximum of their abilities on light.

The life of Charles Théodore Frère     

Charles Théodore Frère (1814 - 1888), was a 19th-century French Orientalist painter.

The son of a music publisher, he studied with Jules Coignet.

He traveled first in France and then in North Africa, which led him to orientalist painting. He settled in Algiers and followed the Army's advance to Constantine, drawing inspiration from the conflict in a number of paintings.

He quickly achieved success, painting canvases for the King of Wurtenberg. After Algiers, he chose to work in Cairo, where he was supervised by the King.

From 1869, he traveled alongside Empress Eugénie and Jean-Léon Gérôme for the inauguration of the Suez Canal.

Although little known today, he was admired by great artists such as Claude Monet and Eugène Boudin.

Charles Théodore Frère's imprint on his period 

Charles Théodore Frère established himself as a singular figure in the artistic panorama of the 19th century, dedicating most of his work to the representation of the Orient.

His travels to Algeria, Egypt, and other regions of the Middle East profoundly influenced his art, leading him to capture with great precision landscapes, street scenes, and moments of daily life in these distant lands.

Although he does not enjoy the same recognition today as his contemporaries such as Jean-Léon Gérôme or Eugène Delacroix, Frère is enjoying a particular resurgence of interest on the art market.

In fact, his paintings are highly sought after by private collectors, which is reflected in auction results where his works regularly fetch considerable sums.

This success can be explained by the exceptional quality of his work, which blends meticulous attention to detail with an evocative atmosphere, transporting viewers to an Orient that is both realistic and enchanting.

This phenomenon demonstrates that, although less well known to the general public, Charles Théodore Frère has carved out a special place for himself among Orientalist artists, continuing to attract the attention of art lovers the world over.

Recognizing the artist's signature

Not all works by Charles Théodore Frère are signed. They may be at the bottom of the painting, but if you think you own one, it's best to have it appraised to be sure of its originality.

Knowing the value of a work

If you happen to own a work by or after Charles Théodore Frère, don't hesitate to request a free appraisal using our form on our website.

A member of our team of experts and chartered auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as ad hoc information about it.

If you wish to sell your work, you will also be accompanied by our specialists in order to benefit from alternatives for selling it at the best possible price, taking into account the inclinations of the market.