Rating and value of paintings by Pierre Hodé

If you own a work by artist Pierre Hodé or based on his work and would like to know its value, our state-approved experts and auctioneers will guide you.

Our specialists will carry out a free appraisal of your work, and provide you with an accurate estimate of its value on the current market.

Then, should you wish to sell your work, we will direct you to the best possible arrangement to obtain the optimum price. 

Artist's rating and value

Pierre Hodé has created a multitude of works with a variety of colors and media. The value of each piece depends on the medium used. On today's market, his paintings fetch tens of thousands of euros at auction. His drawings are less popular.

The price at which his works sell ranges from €150 to €91,500. Thus, a work signed Pierre Hodé can sell for tens of thousands of euros at auction, as evidenced by his painting Le port de Rouen, adjudicated at €51,000 in 2015. 

Order of value from the most basic to the most prestigious

The works and style of Pierre Hodé

Pierre Hodé's style and technique are distinguished by a bold approach to color and composition, where the influence of Cubism and Fauvism is interwoven with a deeply personal sensibility.

Her work demonstrates a rare ability to deconstruct forms without ever losing their essence, creating works where every element seems reinvented yet remains recognizable.

Light plays a central role in his canvases: it doesn't simply illuminate, but seems to filter through the geometric volumes, giving the whole a vibrant depth and intensity.

Hodé's palette, often composed of flat tints of sharp, vivid colors, is never aggressive, but on the contrary controlled, each hue finding its place in a striking visual harmony. His compositions, while dynamic and in perpetual motion, retain a certain restraint that evokes a form of contemplation.

Hodé doesn't simply follow the major artistic currents of his time; he interprets them, reinvents them, and finds a balance between abstraction and realism.

His work, at once modern and imbued with a discreet classicism, is the fruit of a constant search for new ways of expressing reality through pared-down forms and restrained expressiveness.

This quest for formal balance, blending geometric rigor and vibrant color, makes Pierre Hodé a unique figure on the artistic landscape, where innovation and tradition coexist with a rare fluidity. 

Pierre Hodé, in his quest for singular artistic expression, is part of a line of artists who, like him, have married color, geometry and abstraction with finesse.

As such, he shares affinities with Albert Gleizes and André Lhote, whose Cubist approach, though different, is characterized by a shared desire to break down forms to reveal a new visual harmony.

With Hodé, this research takes on a more fluid, less angular character than with Gleizes, but just as rigorous in the construction of volumes.

Hodé can also be likened to Raoul Dufy, notably in their use of vibrant colors and their ability to infuse carefully crafted compositions with an apparent lightness.

Hodé's vibrant, luminous palette finds a subtle echo in Dufy's, with the same chromatic freedom that brings scenes to life while retaining an underlying rigor.

However, where Fernand Léger moves towards an almost mechanical monumentality in his cubist compositions, Hodé favors softer forms, more intimately linked to nature and movement, which brings him closer to a Robert Delaunay.

Like the latter, Hodé explores light with particular delicacy, playing it through his geometric volumes to create a depth that transcends mere representation.

In short, Pierre Hodé is distinguished by his ability to integrate these influences while retaining his own identity, balancing tradition and innovation in an approach that combines great formal freedom with a luminous, organic sensibility.

The life of Pierre Hodé 

Pierre Hodé (1889-1942) was a French painter who marked the early 20th century with his singular approach to cubism and abstraction. Born in Le Havre, he first trained at the École des Beaux-Arts in his native town before moving to Paris, where he frequented avant-garde artistic circles. 

It was in the 1910s that he began exhibiting his first works, influenced by Impressionism and Fauvism, before moving towards a more personal style, marked by the geometrization of forms.

In 1923, Hodé joined the group of artists gathered around the Berthe Weill gallery, where he came to prominence for his bold use of color and resolutely modern compositions. 

Hodé's work quickly evolved into an original synthesis between cubism and lyrical abstraction, where geometric forms are articulated in subtle harmony.

Inspired by his travels in North Africa, he incorporated elements of light and movement into his work, while maintaining a rigorous construction.

Pierre Hodé enjoyed growing success, exhibiting both in Paris and abroad, notably in Brussels and New York. His balanced compositions, in which color plays a central role, earned him praise from influential critics, who hailed the technical mastery and sensitivity of his art. 

While Hodé's work is sometimes compared to that of contemporaries such as Albert Gleizes or André Lhote, he stands out for a more intuitive approach, allowing emotional depth to shine through behind formal rigor.

Dying prematurely in 1942, Pierre Hodé left behind a rich and complex body of work, which continues to inspire and fascinate with its quest for an aesthetic that is both modern and timeless.

Gris, for example, would focus more on technique and compositional work. 

He died in Boulogne Billancourt in 1927. 

Focus on Pierre Hodé's cubist boat 

This work by Pierre Hodé, with its cubic shapes and carefully chosen hues, plunges us into a harbor landscape where harmony reigns supreme.

The silhouettes of the ships, adorned with black and white smokestacks, stand out precisely against a pale sky, creating an atmosphere where modern industry blends with the tranquility of a moment frozen in time.

The earthy, metallic colors favored by the artist reinforce the impression of robustness and solidity. Shades of brown, gray and black intertwine, emphasizing the utilitarian aspect of the boats and buildings, while each element seems to fit into a perfectly orchestrated architectural composition.

The Cubist influence can be felt in the way Hodé breaks down the forms, playing with the vertical lines of the masts against the horizontal lines of the docks. 

This confrontation creates a play of visual tensions that energizes the work, while lending it a certain monumentality.

Through this canvas, Hodé doesn't simply reproduce a seascape; he invites us to a profound contemplation of the industrial city in its geometric essence. 

The coldness of steel and coal invites itself into the viewer's gaze, while the rigor of the forms evokes the quiet power of modernity.

In short, Pierre Hodé, with his pared-down style and mastered technique, succeeds in transforming a simple port into a space for reflection, where the austere beauty of industry blossoms before our eyes, inviting us to feel and appreciate the multiple dimensions of his art. 

Pierre Hodé's mark on his time

Pierre Hodé leaves a discreet but decisive mark on the art of his time. His painting, marked by an attachment to geometric forms and colorful harmonies, reflects an artist in search of a balance between tradition and modernity.

Although he never sought to provoke or violently upset convention, his work is distinguished by an elegant sobriety that brings him close to painters such as Roger de La Fresnaye or Albert Gleizes.

Far from the excesses and radicalisms of certain avant-garde movements, Hodé favors a thoughtful, measured approach, where every composition seems weighed, every color carefully considered.

His art, imbued with a certain restraint, bears witness to an era when experimentation remained fundamental, but when some, like him, chose to move forward with subtlety rather than rupture. He thus remains an important figure of his time, leaving behind a body of work that is as discreet as it is inescapable.

His signature

Not all of Pierre Hodé's works are signed. They are often signed at the bottom of the drawing or painting.

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