Tableaux Alix Aymé - Value, quotation, artist

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Rating and value of the artist Alix Aymé

Alix Aymé is a major artist of 20th century painting. Now, the prices of her works are rising at the auctioneers' gavel.

Her oils on canvas are particularly prized, especially by French buyers, and the price at which they sell on the art market ranges from €30 to €345,000, a considerable delta but one that speaks volumes about the value that can be attributed to the artist's works.

In 2024, an oil on canvas entitled Pastorale,  painted between 1938 and 1940, sold for €345,000, whereas it was estimated at between €120,000 and €200,000. Its value is on the rise.

Order of value from a simple work to the most prestigious

Style and technique by artist Alix Aymé 

Alix Aymé seems to have always made a point of distancing herself from the major movements of her time.

Far from the raw, liberated expression that marked contemporary trends, she turned to a more controlled, almost methodical style of writing.

Her technique is sober, but shouldn't be confused with austerity. Aymé knows how to handle nuances and materials with finesse. Every brushstroke, every line is part of a desire for order, for discipline.

Her compositions are never too dense or complex. Instead, she chooses pared-down forms, a certain softness that, on closer inspection, testifies to great technical mastery.

What strikes above all is the subtle use of space, never excessive, always balanced. The color palette, though sometimes restricted, remains effective.

It plays with light and shadow, without resorting to striking contrasts, but favoring a softer gradation.

It is in this simplicity that Aymé succeeds in capturing an almost invisible form of poetry, a calm that doesn't need to be demonstrated. His technique, all restraint, thus manages to exude great strength, but in a discreet way.

Alix Aymé, painter en vogue

Alix Aymé (1894-1989) was a renowned French artist. Born in Marseille, she studied drawing and music at the Toulouse Conservatoire. She proved to be extremely gifted in both fields, but chose drawing to pursue her career.

Aymé therefore moved to Paris, where she studied painting in Maurice Denis's studio.

Some time later, she married a literature professor whom she accompanied to Hanoi and Shanghai, and went on to teach painting and drawing at Hanoi's French lycée.

On her return to France, she separated from her husband and left for Indochina with her son: the French government had commissioned her to organize the 1931 Colonial Exhibition.

She married Georges Aymé, a lieutenant-colonel, with whom she had a second son. She also traveled to Laos, where she found new sources of inspiration.

Alix Aymé was then appointed professor at the Ecole des Beaux-Arts d'Indochine, founded by Victor Tardieu, where she was keen to keep alive the tradition of Vietnamese lacquerware.

She is also interested in the technique of silk painting, as were Vietnamese artists such as Nam Son Nguyen and Thuong Lan Nguyen. Today, these artists are immensely successful on the auction market, highly sought-after by collectors, and their value is exploding.

Late in her career, she created the Stations of the Cross of Notre Dame de Fidélité, entirely in Vietnamese lacquer, an absolutely original work that blends her Western inspirations with Far Eastern artistic techniques. She died in 1989.

Alix Aymé's Indochinese period

Little is known about Alix Aymé's Indochinese period, yet this stage of her career does not fail to leave its mark on her work.

Far from the conventions and European concerns of the time, Aymé immersed herself in a totally new universe.

There, she captures scenes of daily life, portraits of individuals, but also tropical landscapes, whose vivid colors and sometimes surprising shapes will enrich her work.

In her paintings from this period, we find a more spontaneous approach, less fixed than in her previous productions. Light, like a special guest, seeps onto the canvas, making the scenes lively, almost vibrant.

If one pays attention to her depictions of landscapes, one will notice a certain fluidity in the paint strokes, as if she had wanted to convey the idea of a world in motion.

The colors, meanwhile, move away from the classical palette to offer warmer, more exotic hues - deep reds, oranges and greens - that bring a new dimension to her painting.

Through these paintings, Aymé bears witness to a time and place, but she never tries to freeze them in a realistic image.

She captures moments, like fleeting bursts of emotion, in everyday scenes where movement blends with light, and where the artist seems to merge with the environment she observes.

Focus on an Indochinese fishing scene, Alix Aymé

This aspect of his work has rarely been dwelt on, although it deserves particular attention. Indeed, in this specific painting, Aymé doesn't simply describe a scene, but captures its very essence.

The canvas, which depicts an Indochinese fishing port, is distinguished by a subtle blend of reality and personal interpretation.

The deep blue of the water, slightly swirling in the breeze, contrasts with the luminous reflections of the boats, as if the artist had sought to capture the precise moment when light and shadow dance together.

The silhouettes of the fishermen, treated in an almost abstract manner, fit into the scenery without clashing with it, forming a whole.

Far from a geometric study or rigid perspective, Aymé leaves room for a certain fluidity in the forms, as if the environment were reorganizing itself under the influence of light and movement.

The brushstrokes are visible, sometimes nervous, sometimes softer, and render the sensation of flow and life.

The painting seems to invite us to feel rather than understand, immersing us in a vibrant atmosphere where sea and people, in their simplicity, melt into each other.

With this approach, Aymé is not so much trying to tell a story as to express its raw emotion, capturing the soul of the place with astonishing freedom.

Alix Aymé's imprint on her period 

Alix Aymé left a lasting imprint on her era by finely reinterpreting Asian artistic traditions through the prism of her Western training.

In the paintings she produced during her Indochinese period, she integrated the richness of local motifs, the subtleties of exotic landscapes and the demanding techniques of lacquer, giving rise to works of striking depth.

Her subtly balanced compositions are distinguished by a remarkable mastery of light and a unique ability to instill a poetic, timeless atmosphere.

Alix Aymé, far from being content with mere observation, has plunged into the heart of Vietnamese know-how, respecting their traditions while infusing modern touches from European art.

This skilful fusion has enabled him to stand out among his contemporaries, asserting a bold and refined artistic vision.

By reconciling the aesthetic heritage of the East with the Western avant-garde, she enriched the decorative and pictorial art of her time, becoming a key figure in the cultural dialogue between two worlds.

Her work, deeply rooted in its time, continues to fascinate by its ability to transcend artistic and cultural boundaries.

Recognizing the artist's signature

Aymé often signs her name at the bottom of her drawings, or oils on canvas. Copies may exist, so expertise remains important.

Knowing the value of a work

If you happen to own a work by or after Alix Aymé, don't hesitate to request a free valuation using our form on our website.

A member of our team of experts and licensed auctioneers will contact you promptly to provide you with an estimate of the market value of your work, not forgetting to send you ad hoc information about it.

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