Rating and value of paintings by Igor Tcholaria

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Artist's rating and value

Known in Georgia, his country of origin, and in France, Igor Tcholaria enjoyed great renown during his lifetime. Today, his works are highly prized on the market, particularly by contemporary art collectors. As a result, the artist retains a stable and lively quotation, his creations being sold for between €10 and €30,490 on the auction market.

Thus, a work signed by Tcholaria can sell for thousands of euros, as evidenced by his oil on canvas Red Desire, sold for €7,790, whereas it was estimated at between €5,700 and €7,700.  

Order of value from the most basic to the most prestigious

The artist's works and style

Igor Tcholaria's style is characterized by his simplicity and mastery of color and light.

His works are detailed landscape and portrait paintings and scenes of everyday life. Over time, his technique has asserted itself with cubist influences and increasingly vibrant colors.

Igor Tcholaria, a Georgian artist, transports us to a world where the influences of cubism, surrealism, and classicism are skillfully blended.

His canvases, imbued with an obvious sensuality, are characterized by elegant forms and often female figures, captured in moments of introspection or silent action.

In Les femmes au miroir, Tcholaria reveals the direct influence of Cubism, with fragmented faces and multiple perspectives, while maintaining a fluid, gentle harmony, reminiscent of artists such as André Lhote, Jacques Villon or Léopold Survage.

The curves of the bodies and faces recall the elegance of ancient statues, but are deconstructed in the manner of Picasso, giving the work a dimension that is both modern and timeless.

The warm, often earthy color palette reinforces this connection with his Georgian roots and brings a warmth that contrasts with the fragmentation of the forms.

Another striking example of his style is The Imaginary City, where the influence of surrealism comes through powerfully. The buildings seem to defy the laws of gravity, while the characters float, as if evolving in a dream.

Inspired here by Salvador Dalí, Tcholaria moves away from cold dreaminess to anchor his scenes in a more meditative mood, where every element, however irrational, finds its place in a coherent visual symphony. 

In his female portraits, such as L'Odalisque géorgienne, the artist highlights the beauty of the human body with an almost classical precision. The treatment of light, golden and subtle, accentuates the curves and gives life to the material, while recalling the Renaissance masters.

Here, neoclassicism shines through in the refinement of the postures and the way the figures are magnified by the lighting, creating an atmosphere both peaceful and majestic.

With every brushstroke, Igor Tcholaria seems to appropriate the great artistic movements, the better to reinvent them. He plays with codes, mixes influences, while preserving a deeply personal aesthetic, marked by his Georgian origins.

His works, both powerful and delicate, testify to a remarkable technical mastery, but also to an ability to tell visual stories where dream and reality, modernity and tradition meet.

The exhibition dedicated to Tcholaria in 2020, NYC

The life of Igor Tcholaria  

Igor Tcholaria, (b. 1959), hails from Ochamchiri, Georgia.

He graduated from the art school in Sukhumi, a state attached to Georgia (but retaining independent status).

He embodies this fascination with the multiple artistic influences, between East and West. From an early age, he showed an undeniable talent for drawing, which led him to study at the Academy of Fine Arts in Tbilisi.

This period was marked by a deep immersion in the European artistic heritage, but also by an attachment to Georgian roots, which can be seen in his works.

Like Alexandre Iacovleff, the great explorer of the Orient, Tcholaria is a traveler at heart, but his artistic journey takes place more through time than across continents.

As a restorer of paintings in Russian museums, he became closely acquainted with the Old Masters, nourishing his work with a deep respect for tradition while inviting him to innovate. This meticulous work influences his technique, enabling him to marry detail with great inspiration.

From the 1990s, as he moved to Europe, Tcholaria echoed figures such as Roubtzoff, who found the lights and landscapes of the Maghreb an infinite source of inspiration. For Tcholaria, it's the light of France, and in particular that of the Côte d'Azur, that warms her compositions.

Her paintings, like Roubtzoff's, bear witness to a sensitive approach to the world, where contrasts between light and shadow reveal the essence of her subjects.

Through his works, we perceive a form of surrealism, rather like in the dreamlike representations of a Magritte, but always tinged with a respect for classical forms, close to academism.

In some canvases, Cubist influences subtly creep in, recalling the avant-gardism of Picasso. However, Tcholaria retains a certain poetry, a softness in the balance of her lines and colors, which contrasts with the rigor of modern movements.

Today, the artist continues to explore, no longer geographical territories, but inner and visual worlds, where Eastern traditions and Western innovations intersect. Like a bridge between eras and cultures, her works invite us on a timeless journey, where every detail tells a profoundly human story.

Focus on Tcholaria's nude

In this work by Igor Tcholaria, chromatic energy is omnipresent, almost palpable, and invites deep sensory exploration. Playing with saturated colors and bold geometric shapes, the artist transports us into a universe that is both lyrical and raw, where matter becomes vibration.

The bodies, depicted in bright pink and brilliant red, seem to float in a space where the boundaries between dream and reality are blurred. This choice of palette is not insignificant, reflecting an intense search for pure emotion through color.

Tcholaria, an explorer of the inner world, seems to capture the visceral energy of life, while reconfiguring it through a prism where abstraction blends with concreteness.

His influences, though varied, find a particular echo in the theories of Kandinsky, notably in Du spirituel dans l'art et dans la peinture en particulier.

Kandinsky described color as a means of touching the soul, and here, the hues used by Tcholaria don't simply tell a visual story, but express deeper, almost intuitive feelings.

Pink and red vibrate with passion and energy, while the calmer shades of blue, violet and purple bring a certain introspection, evoking the silent spirituality that emanates from each character.

It's interesting to note the way the artist breaks down and reconstructs shapes. At first glance, one might see a Cubist influence, with these fragmented bodies and intersecting, responding lines. However, Tcholaria does not limit himself to formal deconstruction.

He seems to seek to capture something more intangible, an essence of movement and emotion through color. This fragmentation adds a dreamlike, almost mystical dimension to the painting.

The figures, though anchored in the reality of their bodily forms, seem to float in a suspended space, an in-between where color becomes language.

The blue and violet hues, in particular, play a central role in the work's balance. Kandinsky asserted that blue attracts man to the infinite; here, these shades bring an almost cosmic depth.

They contrast subtly with the intense energy of the reds and pinks, creating a visual dialogue between carnal passion and spiritual contemplation. This chromatic contrast is not merely aesthetic; it invites reflection on the duality of existence, on the balance between vital impulse and superego.

Through this work, Tcholaria succeeds in capturing a moment of life frozen in vibrant abstraction. The eye is lost in the play of colors, while the deformed shapes of the bodies remind us of the fragility and strength of the living.

While borrowing from the great artistic currents of the twentieth century, here he creates a work that transcends movement, to offer a deeply sensory, almost meditative experience.

It's a painting that, like Kandinsky's works, doesn't simply represent, but seeks to awaken, to move, to touch the soul directly through the prism of color and form.

Igor Tcholaria's legacy on his period

Today, Igor Tcholaria's artistic legacy lies in his meticulously detailed portraits and compositions, his mastery of light and color, as well as his unique style influenced by Cubism.

His work continues to influence subsequent generations of artists, and his works are included in private collections and renowned museums.

His signature

Not all of Igor Tcholaria's works are signed.

Although there are variations, here is a first example of his signature:

Expertise your property

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