Rating and value of paintings by Jean Raoux

Jean Raoux, huile sur toile

If you own a work by or after the artist Jean Raoux, and would like to know its value, our state-approved experts and auctioneers will offer you their appraisal services. Our specialists will carry out a free appraisal of your work, and provide you with a precise estimate of its current market value. Then, if you wish to sell your work, we will guide you towards the best possible arrangement to obtain the optimum price.

Rating and value of the artist Jean Raoux

Jean Raoux is a product of 17th-century academic figuratism. His works are mainly inspired by religious subjects and history paintings. His legacy consists of paintings and drawings. Today, prices for his works are rising under the auctioneer's hammer. His paintings are particularly prized above all by French and American buyers, and the price at which they sell on the art market ranges from €500 to €75,000, a considerable delta but one that speaks volumes about the value that can be attributed to Jean Raoux's works. In 2018, his composition A Quarter in concert, depicting two young women and a musician, sold for €27,150. The artist's quotation is quite high and varies according to the quantity of work present on the auction market.  

Order of value from a simple work to the most prestigious

Technique used

Result

Drawing - watercolor

From €550 to €900

Oil on canvas

From €500 to €75,000

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Jean Raoux, huile sur toile

Style and technique of the artist Jean Raoux

Jean Raoux mainly paints religious scenes and history paintings. He is therefore part of academic figuratism. Like Ferdinand Roybet after him, he was deeply influenced by Caravaggio. He was also inspired by Mannerism in his treatment of the body. Raoux produced mostly oils on canvas. 

The life of Jean Raoux

Jean Raoux (1677 - 1734), a French artist, has become a forgotten figure among 17th-century artists.

He was born in Montpellier, where he studied in Antoine Ranc's studio. He trained in oil-on-canvas techniques. He moved to the Languedoc region, where he received religious commissions, before traveling between Paris and Italy. In 1704, he was awarded the Prix de Rome, and stayed in the Italian capital as the King's boarder for three years. He not only painted pictures, but also created frescoes in Padua and Venice. He meets Philippe de Vendôme, Grand Prior of the Order of Malta, who protects him. He returned to Paris, housed and supported by Philippe de Vendôme. In 1717, he was admitted to the Académie Royale as a history painter, the highest category in the theory of genres. He was, however, equally talented at war scenes and portraits. He befriended Antoine Watteau, both of whom were in great demand on the French art market at the time. He was also inspired by Dutch art, which he knew well.

He knew Voltaire, who called his art " unequalled ", adding that he had equaled Rembrandt in success.

He worked extensively on the chiaroscuro technique (cf. Caravaggio) and on the drapery of outfits and curtains (cf. Leonardo). 

The legacy of Jean Raoux 

Jean Raoux bequeathed a body of work characteristic of French and Italian academic painting. He is less famous today than in his day, but his works are still appreciated on the auction market. His work has the particularity of being imbued with both French and Italian academicism.

Recognizing Jean Raoux's signature

Jean Raoux doesn't always sign his works. If you think you own one, it's best to have your painting appraised.

Knowing the value of a work

If you happen to own a work by or after Jean Raoux, don't hesitate to request a free appraisal using our form on our website. A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as any relevant information about it. If you are considering selling your work, you will also be accompanied by our specialists in order to benefit from alternatives for selling it at the best possible price, taking into account market inclinations.

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