Rating and value of works, sculptures, bronzes by Robert Couturier
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Rating and value of Robert Couturier's works
Robert Couturier produced unique sculptures. Now, prices for these creations can rise considerably under the auctioneer's hammer. His sculptures are particularly prized, by buyers from all over the world.
The price at which they sell on the art market ranges from €6,800 to €70,000, at the moment, a consequent discrepancy but one that says a lot about the value that can be attributed to Robert Couturier's works.
In 2010, his bronze sculpture Jeune femme lamelliforme, dating from 1951 sold for €98,000, originally estimated at between €80,000 and €100,000.
Order of value from the most basic to the most prestigious
Technique used | Result |
|---|---|
Estamp - multiple | From €20 to €200 |
Drawing - watercolor | From €120 to €1,500 |
Luminaire | From €2,800 to €11,000 |
Sculpture - volume | From €60 to €98,000 |
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Style and technique of artist Robert Couturier
Robert Couturier's style is characterized by refined elegance and a refined sense of form. From the outset of his career, he favored simplicity of line and harmony of volume, avoiding excessive detail in favor of an almost abstract purity.
His approach is marked by a desire to go to the essential while sublimating it, reducing his works to fluid, balanced forms, part of a fairly contemporary approach that other artists had also chosen before him.
Couturier works mainly in plaster, a medium he favors for its malleability and ability to radiate in a luminous space. He models this material with great delicacy, creating airy sculptures, always with a very light appearance.
Contrary to many of his contemporaries, he rejects heaviness and prefers light compositions, where emptiness plays a central role. Every curve is carefully thought out, every empty space becomes a structuring element. In this way, Couturier questions the relationship between emptiness and matter.
This is a fairly central issue in modern art sculpture, which is also found in artists such as Bruno Catalano, who forged his creative process on a chemical error, also giving the void a prominent role in his works.
With Couturier, research is directly linked to experimentation and working with matter, which demands patience and dedication. The artist calculates, feels, shapes until he achieves the balance he seeks between the deployment of matter and the presence of emptiness.
This meticulous process enables him to create works of great sobriety, yet imbued with a subtle emotional power, where every detail counts without ever overloading the whole.
Robert Couturier's career
Robert Couturier is a contemporary sculptor who works mainly in bronze. The sculptures that sell on the auction market do not exceed one meter, although he has produced a few monumental works for public commissions.
Robert Couturier, born in 1905 in Angoulême, is a French sculptor who has established himself as a major figure in contemporary art in France. From the outset, Couturier demonstrated a style that was both innovative and refined, deeply influenced by his personal experiences and observations of the world around him.
His artistic journey began in earnest when he entered the École des Beaux-Arts in Paris in 1924, where he was trained by masters of classical sculpture - teaching that was not directly transcribed in his work, but was nonetheless entirely necessary.
However, it was his time with artist Antoine Bourdelle that marked a decisive turning point. Under the tutelage of this great sculptor, Couturier developed a fascination for pure forms and balanced volumes, elements that would become the hallmark of his works.
After several years of apprenticeship, Couturier opened his own studio, a space where he gave free rein to his creativity. He soon moved away from academic canons to explore a more personal style, playing with material to create sculptures of great sobriety, yet astonishing expressive power.
In particular, plaster, his preferred material, enabled him to model airy, poetic forms, in a constant search for harmony between man and nature.
In 1947, he exhibited at the Salon d'Automne, where his work was hailed for its originality. From then on, Couturier began to explore more abstract compositions, while retaining this intimate link with the human figure.
His sculptures, though stylized, continue to reflect a great sensitivity to line and light.
It is over the decades that he asserts his singular style, characterized by a formal simplicity that takes nothing away from the emotional depth of his works.
Robert Couturier - Silhouettes
Focus on the bronze on the cover by Robert Couturier
Robert Couturier's sculpture on view here testifies to his unrivalled mastery of form and his ability to infuse subtle emotion into the simplicity of his work.
At first glance, this figure, seated in a meditative posture, seems solidly anchored in the space around it. However, beyond this motionless appearance, Couturier succeeds in capturing a moment of deep contemplation.
The body, despite its simplicity, is inhabited by an almost imperceptible tension, a kind of silent reflection that manifests itself in the figure's attitude.
True to his style, Couturier chooses clean lines, avoiding any overload of detail. The forms are fluid and the contours softened, giving this figure an impression of airy elegance.
This economy of means is not a choice for ease, but a quest for the essential: the figure does not merely represent a human body, it transcends mere materiality to evoke a mental presence.
The material, in this case probably bronze, reinforces this impression of light gravity. Couturier plays with the reflections and texture of the material to create zones of light and shadow, as if to suggest her subject's inner world, that universe of thought suspended in silence.
This slightly irregular, tactile surface encourages the observer to linger, to explore the smallest details that emerge from this apparent simplicity.
The face, barely sketched, expresses a mysterious interiority. Unlike other artists who might have sought a more explicit expression, Couturier leaves his character in a kind of abstraction, where we can read introspection as much as passive observation.
This choice lends the sculpture a universality, with each viewer projecting his or her own reflections onto it.
Thus, this work perfectly embodies Robert Couturier's approach, which, far from any excess, achieves a rare depth by focusing on the essence of form and emotion. It illustrates his talent for transforming a familiar scene into a timeless reflection, where simplicity becomes synonymous with grandeur.
The legacy of Robert Couturier
The success of Robert Couturier's sculptures was evident from his very first exhibitions. His works, characterized by clean lines and balanced forms, quickly attracted the attention of a discerning public.
Over the years, Couturier perfected his approach, while remaining true to his simple, refined aesthetic. Each new piece bears witness to this quest for the essential, without ever straying from his trademark technique.
His sculptures, light and airy, captivate with their sobriety and mastery of volume.
His work follows in the artistic vein of other equally celebrated sculptors, such as Diego Giacometti, Igor Mitoraj or César.
Robert Couturier is, however, an even more versatile artist, who has not concentrated solely on creating sculptures for decorative purposes. Indeed, some of his works double as utilitarian pieces.
This is the case for many of his creations, including lighting fixtures and furniture : among others, he produced bronze tables, topped with a glass top.
Today, Couturier is recognized as one of the most important contemporary sculptors of his time. His works are particularly prized by collectors, and although few are put up for auction, they fetch high prices when they appear on the market.
His unique style, combined with great finesse of execution, ensures Robert Couturier a place of choice in the world of modern art.
Recognizing Robert Couturier's signature
Robert Couturier doesn't always sign his works. If you think you own one, it's best to have it appraised.
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