Rating and value of sculptures and furniture by Odile Noll

Odile Noll, coupe en ébène

If you own an object by or after Odile Noll, and would like to know its value, our state-approved experts and auctioneers will offer you their appraisal services.

Our specialists will carry out a free appraisal of your work, and provide you with an accurate estimate of its value on the current market.

Then, should you wish to sell your work, we will direct you to the best possible arrangement to obtain the optimum price.

Rating and value of works by Odile Noll

Odile Noll is a French artist who is fairly well known to sculpture enthusiasts. If you own one of her works, it may be worth more than you think. On the art market, prices for Noll's works can be very high at the auctioneer's hammer.

Her wooden works are particularly prized by French and American buyers, and the price at which they sell on the art market ranges from €100 to €6,000, a fairly substantial range, but one that says a lot about the value that can be attributed to the artist's works.

In 2018, an ebony bowl, dating from 1955 sold for €4,885 while it was estimated at between €2,600 and €4,300, three times the high estimate.

Order of value from a simple work to the most prestigious

Type of work

Result

Objects

From €100 to €4,885

Furniture

From €700 to €6,000

Have your objects estimated for free by our experts

Estimate in less than 24h

Style and technique by Odile Noll  

Odile Noll (active in the 1950s - 70s) is an artist heir to her father's sculptural tradition. She trained in the studio of her father, Alexandre Noll. Her work is characterized by an organic aesthetic. Her works, often in wood, are inspired by nature, mineral or plant forms, in a search for balance and fluidity.

She establishes a strong link to post-war design, inscribing herself in the French arts and crafts movement of the 50s, at the crossroads of sculpture, furniture and utilitarian objects.

She works extensively with solid wood, favoring noble species (ebony, walnut, pear), which she hand-carves into rather supple, abstract forms.
She polishes her surfaces and builds solid forms. Each piece is sanded at length and then polished with wax or oil, revealing the grain of the wood as a plastic motif in its own right.

The objects she creates are functional and sculptural : they are vases, boxes, bowls or sculptures. Her creations navigate between the decorative object and pure sculpture.

Odile Noll's work is characterized by a gentle abstraction : her forms are non-figurative, but often evoke seeds, drops of water or pebbles, demonstrating an abstraction nonetheless rooted in reality.

She masters the notions of full and empty, playing on closed volumes, subtle balances, and the internal harmony of masses. Her sculptures are also imbued with a certain expressive sobriety. She rejects ornament, favoring an economy of means and the primacy of the artisanal gesture.

Odile Noll occupies a special position in the artistic landscape of twentieth-century ceramics. Her works are discreet and demanding, and less publicized than her father's, she takes an intimate and radical approach to creation, close to certain Japanese or Scandinavian artists of the same period.

Her work is now being rediscovered in the context of a renewed interest in the decorative arts of the 20th century.

.

The life of Odile Noll

Odile Noll (1921 - 2014) is a French artist specializing in woodwork. Born in France, she is the only daughter of sculptor Alexandre Noll (1890 - 1970), and grew up in an artistic environment imbued with a passion for wood.

So, from an early age, she was introduced to the subtleties of woodworking in her father's workshop, where she learned to handle tools and understand the living material that is wood.

Her artistic career is a continuation of her father's work: she continues his work by creating small decorative objects, thus passing on heritage, technique as well as a passion for wood.

Her works, often carved bowls, cubbyholes or boxes, are characterized by free forms, mixing polished and rough parts, playing on the aesthetic dichotomy between rusticity and abstraction.

Although influenced by her father, she develops her own, more sober and uncluttered sensibility, bringing a feminine and contemporary touch to wood craftsmanship.

Working with solid wood and noble species such as ebony, walnut or rosewood, she enhances art craftsmanship through her handcrafted sculptures in supple, abstract forms.

The finishing of the pieces is meticulous, each piece is sanded at length, polished with wax or oil, and allows the wood grain to be revealed as a plastic pattern in its own right.

His creations navigate between the decorative object and pure sculpture, blurring the boundaries between art and craft.

After her father's death in 1970, she became the principal expert to authenticate his works and played a crucial role in preserving his artistic heritage. Less publicized than her father, she embodies an intimate and radical approach to creation, close to certain Japanese or Scandinavian artists of the same period.

Today, the artist's works are attracting a great deal of interest at auction.

.

Odile Noll's imprint on her period

Odile Noll embodied a singular path in the revival of arts and crafts in the 1950s - 1970s. At a time marked by the rise of industrial design, Odile Noll championed slow, material-centric handwork that was directly linked to the heritage of the atelier.

She remained faithful to noble materials. Like Pierre Chapo or Charlotte Perriand, she values solid wood, but in a more sculptural and organic approach, which is less linked to structural furniture.

She also establishes herself as an aesthetic relative of the wabi-sabi current, thanks to her refined forms, particularly raw surfaces and respect for materials, she evokes certain contemporary Japanese designers such as George Nakashima.

Her career path goes against the grain : she rejects industrial design, unlike certain artists such as Jean Prouvé, she eschews the logic of series and function, preferring the unique, handcrafted object.

The dimension of her work is artistic rather than functional : her work is more akin to that of Joseph Savina or Henri Navarre, who explore the border between sculpture and applied arts.

Her sculptures also strike a balance between form and silence : she inscribes her work in a tradition of gesture, essence and the unspoken, thus placing herself at the opposite end of the spectrum from the spectacular or gratuitously decorative.

She thus places herself in the continuity of Alexandre Noll's work, extending it without limiting its universe, and inscribing her own signature in the history of French sculpture and furniture.

Her impact is discreet but real. Although she did not seek the visibility of the great figures of modernism, her work is today being rediscovered for its formal coherence, tactile force and timelessness.

She is thus a referent in the redefinition of the object. Like Andrée Putman in a different register, she has contributed to renewing the look of twentieth-century decorative arts, pulling them towards the realm of sculpture.

Odile Noll, coupe en ébène

Recognizing the signature of Odile Noll

Not all objects produced by Odile Noll are signed. What's more, copies may exist, which is why it's important to appraise your work.

Signature de Odile Noll

Knowing the value of a work

If you happen to own a work by or after Odile Noll, don't hesitate to request a free appraisal using our form on our website.

A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as ad hoc information about it.

If you are considering selling your work, you will also be accompanied by our specialists in order to benefit from alternatives for selling it at the best possible price, taking into account the inclinations of the market.

.
Have your objects estimated for free by our experts

Estimate in less than 24h

Discover in the same theme

Similar works sold at auction

security

Secure site, anonymity preserved

agrement

Auctioneer approved by the State

certification

Free and certified estimates