Rating and value of paintings by Raymond Guerrier

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Raymond Guerrier artist rating  

Raymond Guerrier enjoyed great success during his lifetime thanks to his participation in some of the major events of his time. He quickly established himself as a major player on the art market. Today, his works are successful in auction houses and attract a large number of collectors.

His pieces are traded mainly in France and the United States. The price at which his works sell on the auction market ranges from €10 to €6,600, a consequent delta but one that speaks volumes about the value that can be attributed to the artist's works.

As witness his untitled oil on canvas with a red and black dominant, sold for €6,500 in 2023, whereas it was estimated at between €1,500 and €2,000. 

Order of value from the most basic to the most prestigious

The style and technique of Raymond Guerrier 

Autodidact, Raymond Guerrier discovered art through Parisian museums and artists' studios. From the 1940s, he became close to the figures of the École de Paris, a movement that brought together artists from all over the world to find in Paris a breeding ground for artistic experimentation.

This led him to follow a line marked by abstraction, while remaining attached to a certain figuration. 

His early works bear witness to a strong influence from cubism and geometric experimentation. He draws inspiration from the angular forms of nature and the city, translating his own vision of an ordered, even rigid world.

Guerrier is passionate about exploring simplified forms, often interwoven into complex compositions where light and shadow play a vital role.

In the 50s, his art evolved towards canvases dominated by dark colors, with powerful flat tints and pure forms. His artistic research then focused on the harmony of volumes and chromatic contrasts.

The texture of his works, often worked in thickness, contributes to creating a dynamic between background and form, giving his paintings a singular depth. 

From the 60s, Guerrier intensified the use of matter in his paintings. He employed mixed techniques, blending oil paint and collage, to add a tactile dimension to his compositions.

His paintings become spaces of confrontation between rigid geometric forms and freer, almost organic matter.

The life of Raymond Guerrier 

Raymond Guerrier was born in Paris in 1920. Born into a modest family, he discovered his passion for art at an early age and, without any academic training, became self-taught.

In the 1940s, he became close to the École de Paris, a movement bringing together artists who had come to Paris in search of a space for creative freedom.

Attracted by the light and landscapes of the South, he settled in Saint-Rémy-de-Provence, where he began to paint works inspired by Provençal landscapes. 

In 1949, Guerrier exhibited for the first time at the prestigious Galerie de France, where his works attracted attention for their geometric approach and chromatic intensity. During this period, he frequented other avant-garde artists, influenced in particular by Cubist rigor and the exploration of simplified forms. 

In the 1950s, Guerrier enjoyed growing success, exhibiting in France and abroad, notably in Switzerland and Germany.

His works then reflected a quest for structure and harmony, combining elements of nature with geometric compositions, in an approach close to that of his contemporaries such as Nicolas de Staël. 

In 1955, he settled permanently in Ménerbes, Provence, where he found a setting conducive to the blossoming of his painting. The artist continued to explore the relationship between light, matter and form, while maintaining a balance between figuration and abstraction.

His landscapes and still lifes, often painted in muted, dense tones, bear witness to this constant search for simplification of form. 

Raymond Guerrier died in 2002, leaving behind a dense, structured body of work, soaked in the influences of Cubism and marked by the strength of Provençal landscapes, which he never ceased to sublimate throughout his career.

Focus on an abstract composition by Raymond Guerrier

This work by Raymond Guerrier, at first glance, stands out for its clean geometry and earthy color palette, dominated by brown and beige hues.

The composition evokes an abstract landscape, where the notion of reality seems to recede in favor of a more intimate, introspective interpretation.

Guerrier plays here with angular shapes and curved lines, creating a striking contrast that energizes the pictorial space while retaining a certain sobriety.

The work on the material is particularly remarkable. The thick texture of the paint, applied in successive layers, gives the surface a tactile richness that invites a deeper reading.

Each brushstroke seems calculated to accentuate the tension between the different areas of the painting, where masses of light and dark color confront yet harmonize.

The use of the black line, which delineates the forms, recalls the influence of Cubism, a movement Guerrier undoubtedly assimilated in his quest to simplify forms.

The lyrical abstraction of this work echoes other major figures of the École de Paris, such as Serge Poliakoff or Nicolas de Staël, whose research into color and form, though different in the intensity of tonality, shares with Guerrier this willingness to transcend the motif to reach the very essence of the landscape.

Here, the artist doesn't simply depict a place, but offers a subjective, almost universal vision of a space that could be both earthly and spiritual 

The painting also evokes a sense of movement, with its sinuous curves that seem to spiral inward, capturing a fleeting moment of balance and tension.

Guerrier, true to his approach to painting, manages to synthesize the raw emotion of the landscape without focusing on figurative details. The viewer is thus invited to plunge into this abstraction, to be carried away by the gentle, meditative energy that emanates from the work.

Raymond Guerrier's legacy on the École de Paris 

Raymond Guerrier left an indelible mark on the École de Paris, particularly through his rigorous approach to geometry and color. His work, marked by a quest for harmony between abstraction and figuration, influenced many artists of his generation.

Among them, painters such as André Lanskoy and Serge Poliakoff, who share this desire to structure pictorial space while exploring chromatic contrasts.

Guerrier, while remaining faithful to the light of southern France, combined the lessons of Cubism with a certain formal freedom, which brought him closer to artists such as Jean-Michel Coulon or Gérard Schneider, whose lyrical abstraction resonates with some of his more pared-down compositions. 

Guerrier's influence was also felt by painters such as Olivier Debré, whose use of color and simplification of form find an echo in Guerrier's work.

His research into angular forms and texture helped enrich the pictorial vocabulary of the École de Paris, leaving his mark on a generation of artists who, like him, sought to reinvent landscape and still life in a resolutely modern approach.

The legacy of Raymond Guerrier thus remains very much alive in the history of modern French painting, through the influence he exerted on his peers and those who followed in his wake.

His signature

Not all of Raymond Guerrier's works are signed.

Although there are variants, here is a first example of his signature:

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