Rating and value of Line Vautrin's mirrors, boxes and jewelry
If you own a work by or based on the artist Line Vautrin and would like to know its value, our state-approved experts and auctioneers will guide you.
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Artist's rating and value
A major artist of 20th-century decorative art, Line Vautrin stands out for her bold style, blending traditional craftsmanship and modern aesthetics. On the art market, Line Vautrin's creations are all the rage.
Her mirrors are her most prized works and the most common in auction rooms. Her "witch", "sequin" and "sun" models are the most sought-after and sell best.
In fact, their prices can reach hundreds of thousands of euros, with one of his mirrors going for €390,000 in 2022.
Order of value from the most basic to the most prestigious
Technique used | Result |
|---|---|
Jewelry | From €30 to €20,000 |
Sculpture - volume | From €30 to €40,000 |
Object | From €150 to €42,000 |
Box | From €300 to €50,000 |
Mirror | From €400 to €390,000 |
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The artist's works and style
The style and technique of Line Vautrin's creations are characterized by bold originality, where refinement and innovation are blended.
Her works, whether precious jewelry, fascinating mirrors or decorative objects of great subtlety, bear witness to a tireless search for harmony between poetry and aesthetics.
With materials as varied as gilded bronze, lacquer and resin, she demonstrates uncommon technical mastery.
Her great invention, the "talosel", is the fruit of meticulous work in which resin is sculpted and superimposed to create motifs of incomparable richness, enhanced by striking plays of light.
This unique material is fast becoming the artist's signature, seeing his reputation firmly established in the art world.
Among his most emblematic pieces, the so-called "witch" mirrors captivate with their irregular, convex shapes that distort the light, giving them an almost magical power.
These creations illustrate her rejection of traditional forms and her taste for organic lines, often inspired by nature or her fertile imagination.
Love of literature is another facet of her work, as she frequently incorporates words, maxims or lines of poetry into her pieces, bringing narrative and emotional depth.
Thus, each work becomes much more than an art object, a genuine medium for reflection.
Line Vautrin never bends to established trends, preferring to explore new avenues where craftsmanship meets experimentation. Her work reflects a relentless quest for elegance and singularity, driven by a meticulous attention to detail and infinite creativity.
Always ahead of her time, her groundbreaking approach constantly pushes back the boundaries between art and craft, and inscribes her creations in a temporality that is both contemporary and timeless.
Line Vautrin, a unique sculptor of her time
Line Vautrin was born in 1913 into a family of metalworkers, an environment where working with materials forged her destiny. At just 21, with no formal training in the arts, she began creating her first jewelry pieces, laying the foundations for an exceptional career.
So quickly did her captivating creations attract attention that, in 1937, she exhibited at the Exposition Universelle, where her refined and original jewelry made a lasting impression.
This first public recognition launched the artist's career, and the following year she opened her own boutique on the Champs-Élysées, a venue that became emblematic of her singular style.
Always in search of new techniques, Line Vautrin experimented with various materials such as lacquer, gilded bronze and resin. It was in this constant exploration that she invented "talosel", an innovative material that became her signature.
This process, which involves applying colored resin to mirrors or bronze plates to create geometric patterns, quickly became a sensation and aroused the admiration of art connoisseurs.
This invention enabled the artist to create works with astonishing optical effects, a true trademark of her creations.
In the 40s and 50s, Line Vautrin expanded her production and began creating decorative objects such as mirrors, boxes and trays, sometimes enriched with poetic verses.
A compact, on which she engraved verses by Alfred de Musset, for example, was auctioned in 2023 at Hôtel Drouot, by Auctie's, testifying to the literary depth of her works.
Retracted from the art scene in the 1980s, Line Vautrin regained her lustre thanks to London collector David Gill, before receiving the Prix national des métiers d'Art in 1992. She died at the age of 84, leaving a precious legacy and a body of work marked by her inexhaustible creativity.
The legacy of Line Vautrin
Line Vautrin's artistic legacy extends far beyond her own era, inscribing her name among the most daring and singular creators of the 20th century.
Her work, marked by a relentless quest for perfection, is distinguished by her ability to transform raw materials into veritable objects of poetry and sophistication.
Through her inventiveness, she has reinvented the art of jewelry and decorative objects, fusing traditional craftsmanship with innovative technical explorations.
"Talosel", her signature material, is the culmination of meticulous research into resin, enabling unique plays of light and geometric patterns, which have never ceased to captivate the attention of collectors and art lovers alike.
This invention, a reflection of her pioneering spirit, alone embodies her legacy as a bold, visionary designer.
Beyond the technique, it's the poetic dimension of her creations that has left a lasting imprint. His decorative objects, often embellished with words, verses or quotations, are windows onto a world where art and literature come together.
The integration of poetry in his pieces, like this compact adorned with a sonnet by Félix Avers, reveals a desire to touch the viewer's soul, to offer him much more than a simple object.
Each creation thus becomes a dialogue, an invitation to reflection, carried by an aesthetic of great purity and timeless modernity.
Today, Line Vautrin's influence remains tangible in the world of design and decorative art. Her pieces, as sought-after and admired as ever, occupy a place of choice in major collections and museums.
Her innovative approach, her ability to blend craftsmanship and experimentation, have paved the way for new perspectives in contemporary creation.
Line Vautrin not only left her mark on the history of design, she was able to impose an artistic vision that continues to nourish the collective imagination and seduce future generations.
Line Vautrin's stylistic orientations
Line Vautrin shares stylistic affinities with several designers and artists of her era, who, like her, combined boldness and refinement in their works.
First among these is the goldsmith and designer Jean Després, whose modern, geometric creations recall Vautrin's quest for purity of form and line.
Similarly, Vautrin's contemporary sculptor and jewelry designer Suzanne Belperron is another figure to whom her work draws close.
Both women share a particular attention to detail and an experimental approach to materials, exploring the boundaries between jewelry, sculpture and art object.
Vautrin is also stylistically close to certain École de Paris artists, such as César, notably in his use of resin and modern materials to create works of art of great visual force.
Although they differ in their methods, the search for a new artistic language and the innovation of assemblage and sculptural techniques bring them closer together.
The more abstract work of Georges Braque also finds echoes in Line Vautrin's work, notably through the use of geometry and the play of light in compositions.
Finally, Vautrin's innovative approach, blending poetry and design, also has a kinship with the work of Charlotte Perriand, who, while exploring functional forms, succeeds in fusing art and craft in creations with pure, elegant lines.
Her signature
Not all of Line Vautrin's work is signed.
Although there are variations, here's a first example of her signature :
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