Rating and value 2024 of sculptures, bronzes and drawings by Rembrandt Bugatti
If you own a work by or after the artist Rembrandt Bugatti, and would like to know its value, our state-approved experts and auctioneers will offer you their appraisal services. Our specialists will carry out a free appraisal of your work, and provide you with a precise estimate of its current market value. Then, if you wish to sell your work, we will guide you towards the best possible arrangement to obtain the optimum price.
Rating and value of Rembrandt Bugatti's works
Italian sculptor, Rembrandt Bugatti worked mainly with animal figures. He also produced prints and watercolor drawings for preparatory purposes, although very few of these can be found on the art market, proving his versatility. His works fetch between €60 and €2,059,650 on the auction market, a sizeable delta but one that speaks volumes about the value that can be attributed to the artist's works. A bronze sculpture depicting a sacred baboon hamadryas sold for €2,059,650 in 2015, while it was estimated at between €1,791,000 and €2,686,500.
Order of value from a simple work to the most prestigious
Technique used | Result |
|---|---|
Drawing - watercolor | From €60 to €10,370 |
Marble | From €28,540 to €230,000 |
Bronze | From €480 to €2,059,650 |
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Style and technique of the artist Rembrandt Bugatti
Rembrandt Bugatti is an Italian animal sculptor who works mainly in bronze. He did, however, produce drawings in preparation for his sculptures. He was influenced by Paul Troubetzkoy, a Russian sculptor who himself followed in Rodin's footsteps.
Rembrandt Bugatti, Italian Barye
Rembrandt Annibale Bugatti (1884 - 1916) was an Italian sculptor born in Milan.
Born into a family of artists, his father being Carlo Bugatti, he received a first-rate artistic education from an early age. His name may be familiar to the general public, since his brother, Ettore Bugatti, is the founder of the Bugatti brand. He began sculpting as a child, encouraged by his two masters, Giovanni Sergantini and Paul Troubetzkoy ; first with plastiline, a material that was easy for a child to work with freehand, as illustrated by his first work representing four cows and inspired by the Italian mountains.
He moved to Paris at the age of 19, where he quickly obtained a contract with a foundryman, working with him exclusively in lost-wax casting, in silver and bronze. His foundryman, Hébrard, imposed an original edition with strict numbering and a limitation, which helped boost his reputation. He exhibited at all the official Salons, but found himself limited by the opportunities for inspiration offered by Paris, and moved to Antwerp, where he took zoo animals as his models.
However, the First World War brought his career to a crashing halt. The foundry closed, and many of the animals were killed and mistreated. Rembrandt Bugatti joined the Italian Army and worked with the sick for the Red Cross, after which he contracted tuberculosis.
The sculptor committed suicide in his studio in the 7th arrondissement of Paris at the age of 31.
Rembrandt Bugatti's imprint on his period
Rembrandt Bugatti was well known during his lifetime, selling works at fairly high prices thanks to the exclusive contract he had with his foundryman. Despite his early death and the cessation of production due to the war, Rembrandt Bugatti's sculptures are currently very highly valued on the auction market.
Recognizing the signature of the artist
Rembrandt Bugatti signs his works in capital letters, often with his surname, as well as the date in some cases.
Knowing the value of a work
If you happen to own a Rembrandt Bugatti work, don't hesitate to request a free appraisal via our website form. A member of our team of experts and chartered auctioneers will contact you promptly with an estimate of the value of your work, as well as providing you with all the relevant information about it. If you are considering selling your work of art, our specialists will also work with you to help you find alternatives for selling it at the best possible price.
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