Alix Aymé Drawings - Value, rating, artist

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Rating and value of the artist Alix Aymé

Alix Aymé is a major artist of 20th century painting. Now, prices for her works are rising under the auctioneers' gavels.

His oils on canvas are particularly prized, especially by French buyers, and the price at which they sell on the art market ranges from €30 to €345,000, a considerable delta but one that speaks volumes about the value that can be attributed to the artist's works.

In 2021, an oil on canvas entitled Nu au lotus, was sold for €250,000, whereas it was estimated at €100,000 to €150,000. Its value is on the rise.

Order of value from a simple work to the most prestigious

Style and technique by artist Alix Aymé  

Alix Aymé, influenced by Paul Gauguin and Maurice Denis, has developed a singular style that finds particularly refined expression in her drawings.

Her works on paper reveal a remarkable delicacy and precision that reflect a keen sense of observation, as well as a marked sensitivity for shapes, movements and the subtleties of light.

Often working in pencil or ink, she favored fluid lines and pared-down compositions, where each stroke carried the accuracy of her intention and testified to her technical mastery.

These drawings, imbued with an Art Deco-like aesthetic, are distinguished by subtle touches of gold that emphasize contours and add a sophisticated decorative dimension to her creations.

With remarkable finesse, Alix Aymé captured exotic motifs, vibrant landscapes and scenes of everyday Indochinese life, transforming ordinary moments into poetic evocations imbued with a rare serenity.

Her graphic palette reflected a harmonious dialogue between modern Western influences and an inspiration deeply rooted in Oriental culture.

Integrating a perfect balance between sobriety and ornamentation into her compositions, her drawings stand out as the reflection of an artistic quest that is both rigorous and imbued with elegance, bearing witness to her innovative eye and her talent for weaving subtle links between two worlds.

Alix Aymé, from Marseille to Indochina

Alix Aymé (1894-1989) was a French artist who marked her era with her exceptional talent for drawing and her role as a cultural bridge between the West and Asia.

Born in Marseille, she developed a taste for drawing and music from an early age, which she studied at the Toulouse Conservatoire.

Although talented in both fields, she devoted herself entirely to drawing, a discipline that allowed her to explore her fascination with shapes and lines.

In Paris, she joined Maurice Denis' studio, where she perfected her style while taking part in prestigious projects, such as the decoration of the Champs-Élysées theater.

Married to a professor of literature, she left France for Asia, where she taught drawing and painting at the French lycée in Hanoi. This stay in Indochina became a turning point in her career, nourishing her work with a new visual richness.

Returning to France, she accepted an assignment from the French government to organize the 1931 Colonial Exhibition, before returning to Asia with her son.

Settled in Laos, then again in Vietnam, she drew from these environments an inexhaustible source of inspiration for her drawings, which bear witness to an attentive eye and a unique sensitivity for everyday scenes and local landscapes.

Aymé was appointed professor at the École des Beaux-Arts d'Indochine, founded by Victor Tardieu, where she trained a generation of artists while deepening her own art.

Aymé is particularly interested in silk drawing, a refined technique that she approaches with remarkable precision and delicacy. This approach, influenced by Asian traditions, was in constant dialogue with her Western artistic heritage.

At the end of her career, she created a monumental masterpiece, the Stations of the Cross of Notre-Dame de Fidélité, in which she boldly combined Eastern techniques and European inspirations.

She passed away in 1989, leaving behind her a body of work profoundly marked by her passion for drawing and her desire to fuse cultures.

Focus on a drawing by Alix Aymé

A drawing by Alix Aymé, depicting a seated Vietnamese woman, embodies the elegance of her graphic art. Working in pencil and ink, the work illustrates an everyday scene with delicate precision.

The woman's serene posture, with crossed legs and pensive gaze, testifies to the artist's keen sense of observation. The folds of the garment, drawn with finesse, reveal a particular attention to detail without ever weighing down the composition. 

Aymé's fluid, uncluttered line lends the scene an almost meditative clarity. The minimalist background highlights the main subject, while hinting at the peaceful atmosphere typical of Vietnamese villages.

This drawing also reflects the influence of Art Deco in the sobriety of the lines and the balance of the forms. 

With this type of work, Alix Aymé manages to transcend cultural barriers, combining her Western eye with a sincere admiration for local traditions.

Each detail, from the woman's restrained gesture to the overall harmony, reflects an artistic quest combining simplicity and refinement, characteristic of her singular approach.

Alix Aymé's legacy on her period 

Alix Aymé's legacy on her period, particularly through her drawings and watercolors, is marked by a subtle fusion of Western influences and Eastern traditions.

Her unique view of the world, whether Indochinese landscapes or everyday scenes, offered a refined, poetic vision that left its mark on her contemporaries.

Through her drawings, she was able to transcend simple observation, giving each line a poetry and gentleness characteristic of her style. 

Her works also played a key role in introducing Vietnamese artistic techniques to a Western audience, establishing a bridge between cultures.

Through her teaching at the École des Beaux-Arts d'Indochine, she trained several generations of artists, instilling in them a love of Vietnamese lacquer and silk painting.

Today, this legacy lives on through contemporary artists who continue to draw inspiration from her pared-down compositions and graphic experiments.

The richness of her drawings and watercolors has helped to spread the art of Indochina beyond its borders, inscribing Alix Aymé's style as an essential milestone of 20th-century decorative art.

Alix Aymé's influence on the teaching of Indochinese art

Alix Aymé played a fundamental role in the teaching of Indochinese art in the 20th century, inscribing her influence at the heart of this period of intense cultural dialogue.

Installed in Hanoi, she was a key figure at the École des Beaux-Arts d'Indochine, founded by Victor Tardieu, where she helped to perpetuate the tradition of Vietnamese lacquerware and introduce silk painting techniques.

Her approach, both rooted in Western sensibility and open to local artistic riches, helped introduce and evolve these skills within the Vietnamese educational system.

Through his teaching, Aymé passed on values of technical rigor and inventiveness, while cultivating a deep respect for Vietnamese craft traditions, also used by artists such as Vu Cao Dam or Trung Thu Mai.

She encouraged her students to appropriate these ancestral methods, while experimenting with new forms and styles inspired by artistic exchanges between East and West.

Her works, in both painting and drawing, are a direct reflection of this dual influence, blending clean lines, exotic motifs and a subtle palette.

Her work as an educator has trained a new generation of artists capable of perpetuating these practices while infusing them with a contemporary outlook.

Through her, Indochinese art has thus found a path of expression that is both faithful to its origins and resolutely forward-looking. Alix Aymé's legacy in teaching art in Vietnam lives on, still influencing today's creators.

Recognizing the artist's signature

Aymé often signs her name at the bottom of her drawings, or oils on canvas. Copies may exist, so expertise remains important.

Knowing the value of a work

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