Ratings and values of paintings by Alberto Savinio

Alberto Savinio, huile sur toile

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Artist's rating and value

On the art market, Alberto Savinio's rating is extremely high. His most prized works are his surrealist canvases, whether portraits or landscapes.

The artist is particularly prized among Italian painters and draughtsmen of the 20th century. For example, Alberto Savinio's works sell for between €200 and €900,000 at auction.

His painting Voilà mon rêve (oil on canvas), dating from 1928, sold for €900,000, whereas it was estimated at between €750,000 and €1,000,000.

Order of value from the most basic to the most prestigious

Technique used

Result

Estamp - multiple

From €200 to €2,800

Drawing - watercolor

From €1,400 to €300,000

Painting

From €4,200 to €900,000

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Style and technique of Alberto Savinio

Alberto Savinio, an Italian artist with a complex personality, develops a technique where introspection and poetry mingle with a reflection on reality and dreams, favorite themes of surrealist artists.

Born in Athens, he evolves in a universe richly influenced by his Greco-Roman roots and the Parisian avant-garde. Yet Savinio forges a language of his own, enigmatic and often surreal, where the boundary between art and thought dissolves.

His works are dominated by a subtle palette, where soft tones and deep shadows dialogue with bursts of vibrant color, such as intense blue or earthy red.

These chromatic choices awaken in us a mysterious and bewitching atmosphere, where each nuance seems to carry a strong emotional charge, while playing on ambiguity.

Savinio, like Schwarz-Waldegg, departs from simple visual representation. He does not seek to describe the external world as it is perceived, but rather to evoke the invisible strata of reality.

His figures, often mythological or literary, appear in postures that oscillate between figuration and abstraction, frozen in a space where time seems suspended. The light, subdued and sometimes unreal, draws blurred contours, intensifying the dreamlike character of her compositions.

The artist employs rounded, fluid forms that seem to stretch in unexpected directions, featuring objects diverted from their original context, like visual metaphors that call for reflection.

Each element in his paintings seems to carry within it a double life, a visible reality and a hidden suggestion.

Through fine lines, sharp contours and precise gestures, Savinio builds a world where graphic precision serves not for realistic illusion, but to open a path to a parallel universe.

His brushstrokes are meticulously measured, reflecting his constant reflection on the relationship between art and time, space and memory.

Far from seeking to conceal the depth of his emotions, Savinio reveals a form of intimacy in each portrait or composition, a vulnerability that touches on the unspeakable.

Savinio's art is not just an aesthetic exploration: it is also a quest for meaning, a search where memories and dreams take shape before our very eyes.

His works, often populated by solitary figures and imaginary landscapes, suggest a sense of solitude or escape, as if each painting were a window opening onto another world.

His technique, sometimes elegant, sometimes theatrical, invites us to a meditation on the contradictions and mysteries of the human condition. Through his art, Savinio captures the soul of his time, between realism and abstraction, between presence and absence, between visible and invisible.

Alberto Savinio, huile sur toile

Alberto Savinio, painter of introspection and mystery

Alberto Savinio (1891-1952) was an Italian artist of the 20th century, a complex and singular figure of the avant-garde, whose work is distinguished by a poetic and psychological exploration of hidden realities and states of the soul.

Born in Athens and trained in Milan, he developed a style that was at once dreamlike and introspective, where the visible and invisible worlds intertwine.

From the very beginning, Savinio showed himself to be sensitive to literary and philosophical influences, but also to the European pictorial tradition.

His training, marked by contact with the Parisian avant-gardes, forged a distinct visual language, combining great technical mastery with a constant search for meaning.

The artist is less interested in a faithful representation of reality than in the creation of an inner world, a quest for the invisible and inexpressible.

Savinio's canvases, bathed in a subdued and often unreal light, seem to plunge us into a parallel universe, where each element suggests more than it reveals. His portraits, whether of mythological figures or anonymous humans, are imbued with psychological depth.

Far from being content with a mere likeness, the artist seeks to capture the soul of his models, to capture the essence of their interiority. Soft yet intense colors interweave with light brushstrokes, creating an atmosphere of dream and mystery.

Savinio, like some of his contemporaries, paints not just to describe appearances, but to evoke deep, often hidden emotions that emerge beneath the surface.

His compositions are windows onto inner worlds, where light plays with shadow to reveal the tensions and contradictions of the human soul.

The artist explores recurring themes of solitude, memory and metaphysics, where introspection and silence occupy a central place.

Through his works, Savinio invites the viewer into an intimate encounter with the invisible, an immersion into the depths of thought and feeling.

His portraits, like snapshots of an inner universe, suspend time and reality, revealing the fragility and beauty of an existence often imbued with melancholy and questioning.

Alberto Savinio's imprint on his time

Alberto Savinio's work, subtle and spellbinding, is part of an artistic quest in which introspection and poetry occupy a primordial place, far removed from artifice and the spectacular, not corresponding so much in this aspect to other surrealist painters.

Through his canvases, Savinio reveals a nuanced vision of the human condition, marked by a particular sensitivity to the invisible and the inexpressible.

In this respect, he joins figures such as Beksinki, René Magritte or Juan Miró, with whom he shares a fascination for exploring parallel realities and a desire to go beyond appearances.

His works, imbued with an almost unreal serenity, stand in contrast to the effervescence of avant-garde currents while offering a more intimate, meditative reflection. By favoring evocation over illusion, Savinio imposes a style in which interiority becomes the very heart of representation.

His painting, oscillating between dream and reality, captures the suspended moment, a subtle light that hugs shapes and figures, while suggesting mysterious, enigmatic interior spaces.

His compositions thus invite us on a journey into the depths of the human soul, where the softness of colors and lines combine with an emotional intensity that lurks behind the discreet yet persistent melancholy.

Focus on The Room of Antinous (1937), Alberto Savinio

The Room of Antinous by Alberto Savinio, with its intriguing delicacy, plunges us into a universe between dream and reality. The scene, which seems to escape all temporal logic, immediately captures our attention with its singular atmosphere.

Here, everything seems suspended, frozen in an instant that defies the obvious. Savinio, with his subtle mastery of form and light, invites us to enter a space that is both interior and timeless, where landmarks dissolve into a profound mystery.

The color palette, dominated by soft shades of blue and gray, gives rise to a subdued light that makes its way through objects and shadows, as if to reveal half-concealed secrets.

The whole is bathed in a kind of eerie serenity, where we perceive, through every nuance, an intangible presence, a life that escapes our comprehension. The golden hues that hint at certain elements add to this sensation of the distant, of something both close and out of reach.

At the center of the composition, Antinous' face seems to stare at the horizon, frozen in enigmatic contemplation. The expression in his eyes, neither totally peaceful nor full of sadness, questions us, as if he carried within him a knowledge that we cannot grasp.

Around him, the arrangement of objects is meticulous, but remains blurred, imprecise. Nothing is there by chance: every detail, every curve, seems to be loaded with meaning, an invitation to interpretation, without ever revealing itself completely.

Savinio doesn't deliver a scene for us to analyze, but a fragment of a world that leaves room for the imaginary. La Chambre d'Antinoüs thus becomes a place for reflection on the ephemeral and the permanent, on memory that resists and things that dissipate.

The artist, through the melancholic beauty of the work, invites us into an intimate, suspended experience, where we lose ourselves between the tangible and the impalpable, between reality and dreamland. 

His signature

Although there are variations, here's a first example of his signature:

Signature de Savinio

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