Rating and value of paintings by Stéphane Gisclard

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Rating and value of artist Stéphane Gisclard

Considered an important contemporary artist of the 20th century, Stéphane Gisclard leaves behind an artistic identity of his own. This legacy consists mainly of oils on canvas.

At present, the prices of his works are rising at the auctioneers' gavels, his stock is on the rise. His canvases and other works are particularly prized, especially by French and American buyers, and the price at which they sell on the art market ranges from €120 to €8,000, a considerable delta but one that speaks volumes about the value that can be attributed to Gisclard's works.

In 2007, a polychrome composition entitled Douceurs familières sold for €8,000 while it was estimated at between €5,000 and €7,000.

Order of value from a simple work to the most prestigious 

Style and technique of the artist Stéphane Gisclard   

Stéphane Gisclard is a figurative painter born in 1966 who follows a silent and introspective figuration, on the border between realism, symbolism and a form of contemporary classicism.

His work focuses on human presence, solitude, waiting and the suspension of time. His aesthetic is marked by narrative restraint and psychological density.

The recurring subjects are isolated human figures (often male), seated, standing or motionless figures, bare interiors, mental landscapes and indeterminate spaces. The absence of narrative is explicit, with scenes deliberately open-ended, leaving room for interpretation.

The figures are often solitary, reduced to a silent presence. Attitudes are static, bodies closed, and gazes averted or absent. Psychological individuality is suggested by posture rather than facial expression. Bodies are treated with anatomical sobriety, without excessive emphasis.

Spaces are deliberately empty or indeterminate, sometimes reduced to a floor and a background. Settings are minimalist, almost abstract, reinforcing the character's isolation.

The narrative context is erased in favor of a mental, introspective space. His palette is restrained and controlled, with grays, browns, ochres, muted greens and muted blues. Colors are often flattened, matte and without excessive saturation. He uses cold or neutral scales to create an atmosphere of restraint and silence.

The artist favors oil paint, applied in thin, controlled layers, with no visible impasto. Few gestural traces are left visible.

His body of work establishes a kinship with certain figures of existential figuration such as Balthus, Hopper for the silence, but without narration. There are also resonances with Modenre classism and a painting of restraint, and affinities with a European tradition of introspective and meditative painting.

Stéphane Gisclard is part of a demanding contemporary figuration, far removed from decorative or narrative trends. His work is recognized for its formal coherence, psychological depth and temporality.

The life of Stéphane Gisclard   

Stéphane Gisclard was born in 1966 in France. His artistic training was built within a demanding framework, marked by the apprenticeship of drawing, composition and figurative painting. From the outset, he adopted a thoughtful approach, far removed from the dominant conceptual avant-gardes of the late 20th century.

He developed an early interest in the human figure and in painting presence rather than narrative. Gisclard began exhibiting in the 1990s. His first works already reveal an orientation towards figuration and introspection.

He distinguishes himself by painting against the grain of contemporary expressive or decorative trends. In the 2000s, he asserted a coherent, identifiable style, with a gradual reduction in narrative elements in favor of minimal staging.

He develops a pictorial universe centered on solitude, waiting and temporality, and refuses the spectacularization of the subject. His figures are often anonymous, with no precise social anchorage, translating a universal vision of the human condition.

He explores isolation, slience and the body's relationship to empty space, and defends a painting based on duration, the slowness of the gaze and the rigor of construction, inscribing his work in a historical continuity of European figurative painting.

His work is marked by great stylistic constancy, with a progressive deepening of the same plastic issues rather than thematic renewal. Each work is conceived as a variation on a stable conceptual core.

Gisclard is now recognized as a contemporary figurative painter of restraint and silence. His work is appreciated for its coherence, psychological depth and ability to elicit a contemplative experience.

Market segmentation and artist rating

The types of work in circulation are predominantly oils on canvas, which constitute the most sought-after core segment, with figurative works featuring isolated figures. Oils on panel are rarer, but appreciated for their density and finish.

Drawings and preparatory studies (charcoal, pencil) are part of an active secondary market, with great interest in the creative process. The distribution of recent works is controlled via galleries, which have a direct impact on its quotation.

Small formats (under 40 cm) with isolated figures and uncluttered compositions have good liquidity. Medium formats (40 - 80 cm) are at the heart of the market, with an optimal balance between figurative presence and accessibility.

Large formats over 80 cm are rarer and constitute a high-end segment sought after by confirmed collectors. The most sought-after subjects are solitary male figures, motionless in indeterminate spaces.

There are also scenes of waiting or suspension, without explicit narrative, works with muted palette and minimalist composition, typical of his mature language. Excessively narrative or atypical works are less sought-after.

Valuation criteria are stylistic typicity (sobriety, silence, economy of means), period (mature works favored), quality of construction, provenance and state of preservation.

France is the main market, but works can also be found in Belgium and Switzerland, Northern Europe and the USA. Liquidity is good for typical medium formats, fair for small formats, and more selective for large formats and dependent on provenance and sales context.

The artist's market is stable and progressive, underpinned by a growing interest in contemporary introspective figuration. Collector demand is steady. Supply is deliberately limited, contributing to the stability of the quotation.

Stéphane Gisclard thus occupies a qualitative and demanding segment of the contemporary figurative painting market with other artists such as Hervé di Rosa, Robert Combas and Rémi Blanchard. Typical medium formats represent the best balance between liquidity and valuation.

Recognizing the artist's signature

Stéphane Gisclard sometimes signs his works, mostly at the bottom of the painting, in a color that contrasts with the background.

Knowing the value of a work 

If you happen to own a work by or after Stéphane Gisclard, don't hesitate to request a free appraisal using our form on our website.

A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as any relevant information about it.

If you're thinking of selling your work, our specialists will also help you find alternatives to sell it at the best possible price, taking into account market trends.