Rating and value of paintings by Alexander Deineka

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Rating and value of the artist Alexander Deineka

Falk is a Russian-born painter who is relatively unknown to the general public. He leaves behind a unique artistic repertoire characteristic of Russian Expressionism.

At present, prices for his works are flying off the auctioneers' hammers. His paintings and other works are particularly prized, especially by European and American buyers, and the price at which they sell on the art market ranges from €50 to €1,649,740, a considerable delta but one that speaks volumes about the value that can be attributed to Alexander Deineka's works.

In 2017, his composition Heroes of the first Five Year plan, sold for €2,681,100, while it was estimated at between €2,260,000 and  €4,000,000.

Order of value from a single work to the most prestigious

Style and technique of artist Alexander Deineka

Alexander Deineka's style and technique embody a remarkable fusion of socialist realism and modernism, translating the ideology of his time while preserving a personal, visionary approach.

Painter, graphic artist and sculptor, he stands out for his ability to combine formal simplicity with narrative power.

His compositions, often monumental, capture with clarity and dynamism scenes of everyday life in the Soviet Union, highlighting work, sport and camaraderie as reflections of the collective ideal. 

Deineka's palette, dominated by vibrant hues and sharp contrasts, underlines a keen sense of light and space.

He employs clean lines and geometric forms to structure his works, giving his compositions a modernity akin to Constructivism.

Yet behind this formal rigor lies a subtle expressiveness, where attention to human detail and gesture lends his figures an intense vitality.

His figures, often stylized but full of movement, embody a contagious energy that transcends mere propaganda. 

Deineka is also distinguished by his exploration of techniques, mixing oil painting, fresco and posters.

His graphic work testifies to an exceptional mastery of composition, where each element seems to dialogue with the whole, creating images as striking as they are timeless.

Inspired by the European avant-gardes while remaining deeply rooted in the Soviet context, he manages to combine plastic innovation and ideological message. 

In his works, Alexander Deineka goes beyond the conventions imposed by socialist realism to propose an artistic vision where the celebration of collective effort blends with an aesthetic imbued with visual poetry.

His canvases, such as The Defense of Petrograd or Springtime on the Construction of a New Power Plant, bear witness to a view of his time that is both critical and exhilarating, making him one of the great pictorial narrators of the 20th century.

The life of Alexander Deineka

Alexander Deineka's life is set in the tumult of the 20th century, where he emerges as one of the Soviet Union's most emblematic artists.

Born in 1899 in Kursk, in a Russia in the throes of change, he grew up in a context marked by the social and political upheavals that shaped his artistic outlook. Trained first at the Kursk School of Fine Arts, then at the Vkhoutemas School in Moscow, he rubbed shoulders with the major figures of the Soviet avant-garde and immersed himself in the innovative ideas that marked post-revolutionary art.

He quickly established himself as a versatile artist, mastering painting as well as sculpture and graphic arts. 

Deineka's ideological commitment is reflected in his career. An active member of artists' associations such as the OST (Society of Easel Artists), he played an active part in building a new visual identity for the USSR, while developing a personal artistic language.

His travels in Europe in the 1930s, notably to France and Italy, enriched his vision and enabled him to engage in dialogue with Western artistic currents, without ever straying from the goal of magnifying Soviet ideals. 

During the Second World War, Deineka played a crucial role as an illustrator and creator of propaganda posters, immortalizing the heroic resistance of the Soviet people in the face of the Nazi invasion.

After the war, he continued to celebrate the collective effort and successes of the regime in monumental works that blend realism and visual poetry. 

Deceased in 1969 in Moscow, Alexander Deineka left behind an abundant body of work, bearing witness to the contradictions and aspirations of his time.

His life, dedicated to art and in the service of ideology, illustrates the complexity of a creator deeply rooted in history, whose vision continues to resonate with aesthetic force and humanity.

Focus on Spring on the Construction of a New Factory by Alexander Deineka

The painting Spring on the Construction of a New Factory (1931) by Alexander Deineka is a vibrant celebration of industrial modernity and the collective energy that characterizes the Soviet era.

This luminous composition, which blends human figures and architecture under construction, embodies an optimistic vision of a future shaped by progress and communal work.

Deineka, true to his unique style, captures both the dynamism of human endeavor and the monumentality of infrastructures in the making. 

The canvas, dominated by light hues and subtle contrasts, is bathed in an almost dazzling light, conveying the idea of renewal.

The workers, the main figures in the scene, are depicted with elegant precision, their synchronized gestures expressing the coordination and harmony of a collective labor.

Their sturdy, simplified silhouettes recall the influence of Constructivism, while the meticulous details, such as tools or clothing, anchor the work in a tangible reality.

In the background, metal structures being assembled soar skyward, symbolizing the limitless potential of technical progress.

These architectural elements, reduced to pared-down geometric forms, converse with the artistic avant-garde while remaining accessible to the public. Deineka thus manages to combine a strong ideological message with a modern, innovative aesthetic. 

Compared with contemporary works by Kazimir Malevich or Gustav Klutsis, this painting stands out for its optimistic narrative and its connection with everyday life.

Where some artists favor pure abstraction or propagandist iconography, Deineka chooses to depict the vital force of the human in action.

He portrays not just a scene of work, but an ideal of society, where collective effort and innovation lead to a promising future. 

With this work, Alexander Deineka offers an edifying vision of his time, capturing with rare sensitivity the intersection between the individual and the collective, between pictorial tradition and the avant-garde, between the present and the future.

Alexander Deineka's imprint on his period

Alexander Deineka's imprint on his period is part of an artistic vision deeply linked to Soviet identity, while also dialoguing with the Russian avant-gardes. A painter of movement and modernity, he captured the spirit of his era, marked by rapid industrialization and collectivist ideals. His works, like those of Kuzma Petrov-Vodkin or Vera Moukhin, reflect a constant search for harmony between man, machine and environment.

However, where Petrov-Vodkin stands out for his compositions imbued with poetic symbolism, Deineka favors a more pared-down, direct aesthetic, reflecting the raw energy of socialist realism. 

His ability to depict the human body in motion, whether in sports scenes or industrial work, reveals a remarkable mastery of anatomy and pictorial dynamics.

In this, he shares an affinity with artists like Isaak Brodsky, though his approach differs markedly.

While Brodsky focuses on formal portraits and frozen compositions, Deineka infuses his canvases with a breath of life and narrative power that celebrates everyday life and collective endeavor. 

His imprint, however, goes beyond strict socialist realism.

 Through his use of bold compositions, plunging perspectives and luminous contrasts, he brings his work closer to the avant-garde research of the time, while making his paintings accessible to a wide audience.

This unique synthesis of formal modernity and ideological message left its mark on subsequent generations, influencing not only Soviet painting, but also disciplines such as photography and graphic design. 

In this way, Alexander Deineka, by breaking down the boundaries between art and propaganda, left an indelible mark on his time.

His works, at the crossroads of everyday heroism and aesthetic innovation, continue to be recognized as emblematic testimony to a period when art was intended to drive social transformation.

His stock today is on the rise, as are other artists whose workmanship is similar, also witnesses to the upheavals of their time : Boris Grigoriev, Frantisek Kupka or Léon Bakst.

Recognizing Alexander Deineka's signature

Often, Alexander Deineka's paintings are signed at the bottom left of the painting. He doesn't necessarily sign with his first and last name, often in a dark  tone; sometimes with the city where he painted the painting, or the date.

Knowing the value of a work

If you happen to own a work by or after Alexander Deineka, don't hesitate to request a free valuation using our form on our website.

A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as ad hoc information about it.

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